If I'm working on a book, and I happen to have a close friend who's a best-selling author, I'd certainly bounce drafts off of him.
I think a lot of the speculation about Capote writing Mockingbird comes from the fact that some folks just can't believe that a small-town Southern woman who never wrote another book could have created something that good. Surely her much more famous friend must have been behind the curtain pulling the strings.
Margaret Mitchell never wrote another book, either. One of the rules my mom taught me is that a gentleman, or a lady, always knows when it's time to leave. If you've just got one book in you, and it's a great one, why muddy the waters with mediocre follow-ups and sequels?
You shouldn't assume that everyone is as generous as you have made your pretend writer.
The whole thing is fascinating and, like I said, interesting to think about. Why would a first time novelist produce sterling prose first time out? Why would a guy who was obsessed by high society start writing about crime in a small town? And why did both of them peak so early?
I think a lot of the speculation about Capote writing Mockingbird comes from the fact that some folks just can’t believe that a small-town Southern woman...
I also think that some people assume Capote had a hand in it is that it is very much early Capote territory - “The Grass Harp,” etc.
Of course, scuttlebutt has it that Lee wrote “In Cold Blood”!
...and while I’m at it, why did she pay rent on that apartment in NYC for forty years that she never visited?
I think time has proven that they were equally great writers.