Although she baked no cookies, didn't do illicit land or cattle deals and stood by no man, hillary clinton starred in the triple role of the Cook, the Thief and his Wife. Her lover was played at once vaporously and in workmanlike fashion by the ghost of Eleanor Roosevelt, with Janet Reno, between her stints rendering intermittent injustice for the Husband, as the reliable stand-in. Sidney Blumenthal was the stand-in for the Cook and Craig Livingstone the stand-in for the Thief. The last-minute addition of Christopher Hitchens as the snitch was a stroke of absolute genius notwithstanding its cerebral accident, its predictable-if-perfect pitch (or its facile alliteration). Although Act I had no rating, the new clinton soccer-mom directive will require a photo ID for any viewer without independent proof of illegal alien DNC <-> DNA sequencing.
In Act II, rabid anti-clinton voters, roughly 33% of the U.S. populace according to as-yet-unpodded pollsters, become increasingly aware that they are disappearing in droves and being replaced by alien pod replicas that have their physical attributes but lack all anti-clinton affect. If Act I was a thinly veiled allegory about naked clintonism, then Act II is a parable about the plan for world domination by the Establishment, aged hippies in pinstripes all, with their infantile, solipsistic world view amazingly untouched by time |