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More Friday Good News...
1 posted on 08/18/2006 7:49:14 AM PDT by abb
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To: abb
Raoul's First Law of Journalism
BIAS = LAYOFFS

2 posted on 08/18/2006 7:49:30 AM PDT by abb (The Dinosaur Media: A One-Way Medium in a Two-Way World)
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To: abb

4 posted on 08/18/2006 7:53:41 AM PDT by Grampa Dave
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To: martin_fierro

"The icons are sacred no longer. Finally, there are the bloggers: the visual or word journalist is not only overseen by a familiar hierarchy of editors or producers but by many independents who will scan, query, trade observations, and blast what they think is an error or manipulation to the entire world.

News picture-making media organizations have two paths of possible response to this unnerving new situation. First, they can stonewall, deny, delete, dismiss, counter-slur, or ignore the problem. To some extent, this is what is happening now and, ethical consideration aside, such a strategy is the practical equivalent of taking extra photos of the deck chairs on the Titanic."


Martin, this is the perfect place for your Titantic graphic arts.


6 posted on 08/18/2006 7:57:40 AM PDT by Grampa Dave
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To: PajamaTruthMafia; abb

PajamaTruthMafia, see what you have started and contributed to. Great Job!

http://www.freerepublic.com/focus/f-news/1685441/posts

The first Photoshop war [doctored photos could be harbinger of crisis]
Ynet News ^ | 8/17/06 | Gal Mor


Posted on 08/17/2006 12:20:29 PM PDT by PajamaTruthMafia


The first Photoshop war

Lebanon war's doctored photos could be harbinger of photojournalism crisis Gal Mor

The photo of an apparently new Mickey Mouse doll, resting on a ruined street in the Lebanese town of Tyre following an Israeli Air Force attack, took me back to a British TV show called "Drop the Dead Monkey," which aired in Israel about 15 years ago.

One of the journalists in Channel 4's satirical show used to hang around battle zones with a teddy bear in his trunk and place it at disaster zones a short time before cameras began shooting, in order to boost the dramatic effect.

I have no intention of doubting the integrity of photojournalists, most of whom work hard and risk their lives, but two cases exposed by bloggers during the second Lebanon War require us to resort to healthy skepticism.

The Reuters affair

Earlier this month, Reuters admitted that a photo by Lebanese photographer Adnan Hajj underwent improper treatment using graphic editing software. In another case of a photo showing an Israeli aircraft firing "missiles," it turned out those were flares and that this photo was also doctored by using a computer.

Both editing jobs were exposed by Charles Johnson, one of the owners of the Little Green Footballs blog.

Another photo showed a doll dressed in a clean wedding gown in front of a razed home. Another two photographs distributed in July and August showed a woman crying after her home was destroyed – twice in the space of two weeks. Yet another photo published in a newspaper showed what appears as bodies covered by white sheets, yet one of the bodies is sitting in a completely lively pose.

Another man who played a starring role in the blogs is Salam Daher, who heads civilian rescue operations in Tyre. Daher, labeled "Green Helmet Guy," is shown in 2006 and 1996 photographs following Air Force attacks on the village of Qana. AP strongly denied the photos were staged and even published a special photo of Daher (wearing a blue helmet) and explained who he was.

All this does not contradict the fact Daher repeatedly waved the bodies of children before the cameras (at times using the same body at different poses), while the photographers photographed.

Digital forgery has become norm

We can assume the Mickey Mouse photo is completely genuine, but we may still wonder whether the doll was placed in the area following the bombing. The Adnan Hajj affair shows that today there's no longer a need to stage photos. Instead, we can modify them using powerful graphic tools such as Photoshop.

Indeed, digital forgery has become the norm. Anyone who has met celebrities up close knows that at time the difference between them in reality and their faces, as modified by Photoshop and appearing on magazine covers, is rather significant.

The New Scientist reported this month that an algorithm developed by researcher Tommer Leyvand from Tel Aviv University can easily make people look more beautiful through an instant change of hundreds of facial features.

Charles Johnson and his friends at Little Green Footballs hold on to clear conservative political positions, yet their skepticism helps truth-seekers wherever they are and serves the press.

Even though dozens of channels and hundreds of news websites provide a sense of media pluralism, most of the photos and video stories from battle zones are distributed by a small number of news agencies: AP, Reuters, and AFP.

Just when visual broadcasting means (photos, video) are peaking, in the backdrop we can see emerging photojournalism's big crisis. Although Reuters was quick to announce it will make reviews of Middle East photos stricter, such doctored photo cases may indeed repeat in growing frequency, with forgers improving their tactics.

A photo will no longer be worth a thousand words

We're not only talking about a fundamental ethical problem that is only of interest to professionals. In the short run, the doctored photos may serve to dramatize Lebanese suffering and display the destruction sowed by Israel in Lebanon as greater in scope than it really is.

Yet over time, the weak party to the war will pay the price for the forgery, after human sensitivity to its pain will be dulled. This is tragic because the Lebanese people did suffer in the last war and many experienced genuine, non-doctored bereavement and destruction.

In the future, even when genuine photos from wars will be distributed, it's likely that the other side will plant changes in them and redistribute them in order to undermine their credibility and make audiences doubt them, as part of a propaganda war.

Once those insights are internalized, and the general public knows that it can no longer believe what it sees, a photo will no longer be worth a thousand words – it won't even be worth one word.


8 posted on 08/18/2006 8:01:21 AM PDT by Grampa Dave
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To: abb

Hard to believe E&P ran with this story. Unfortunately, they are ignoring the 800lb gorilla. The NEWS STORIES are faked far worse than the photos. Having a micki mouse suddenly appear in a rubble heap is a minor sin compared to the WaPostNYTimesCNNMSNBCCBSLATIMESBOSTONGLOBEABCNPRAPREUTERS lies splashing daily across the headlines.


9 posted on 08/18/2006 8:01:58 AM PDT by pissant
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To: abb
these bloggers have engaged in the kind of probing, contextual, fact-based (if occasionally speculative) media criticism I have always asked of my students.

Translation: the pajama militia is doing the job journalists are supposed to do, but, in their zeal to SELL a story instead of TELL a story, are neglecting.

It can't come as any surprise to anyone that when a craft whose stock in trade is credibility loses that due to prejudice and a lack of professionalism, the craft suffers. Maybe if a few more editors fired a few more biased journalists, and a few more publishers fired a few more biased editors, and a few more stockholders fired a few more biased publishers, journalism would regain the public's trust.

10 posted on 08/18/2006 8:08:16 AM PDT by IronJack (ALL)
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To: abb
Bulletin! Bulletin! Below is a mix of FAUXLEBANONNEWS and FAUXTOGRAPHY:

The disturbing make believe photos from this disturbing make believe event are shown below. Don’t allow children under the age of 30 to view this horror caused by Israel. Of course, this is Bush's fault.

No Problem! Here comes your Bomb!


1) Man arrives with suitcase full of American toys and dismantles doll in pink dress.


2) Man carries dismantled doll, minnie mouse and teletubbie for placing in position.


3) Fauxtographers take pictures when props are in position.


12 posted on 08/18/2006 8:09:24 AM PDT by Grampa Dave
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To: abb

Have they heard of Digital Cameras? They can download or ship pictures at the speed of light.


14 posted on 08/18/2006 8:09:51 AM PDT by desherwood7
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To: abb
more aesthetic bias than political prejudice

B*llsh*t! If this were the case, the photo fakery would not have been so clearly biased AGAINST Israel. It is entirely political prejudice, whether on the part of the photographer or the editorial staff that frames/captions the photo and writes the story around it.

26 posted on 08/18/2006 8:39:25 AM PDT by Sicon
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To: abb

Great post! This headline would work, too:
"Photojournalism in Circus..."


30 posted on 08/18/2006 8:54:33 AM PDT by WestTexasWend (NO OIL FOR APPEASERS)
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To: abb; Timesink; martin_fierro; reformed_democrat; Loyalist; =Intervention=; PianoMan; GOPJ; ...
Media Schadenfreude PING.

A delicious Friday afternoon repast provided by E&P and Freeper abb.

Enjoy!

35 posted on 08/18/2006 9:38:20 AM PDT by an amused spectator (Hezbollah: Habitat for Humanity with an attitude)
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To: abb
Art Spiegelman (Pulitzer Prize winning cartoonist, for Maus about his parents' survival of the Holocaust, and former cartoon editor for the New Yorker) long ago (pre-2000) said that digital photography meant that photo journalism could no longer be trusted.

He was advocating the notion of the use of illustration/cartooning in some news reports (and had an interesting 2-page example, as well as a single page interview of Jerry Lewis conducted by Bill "Zippy the Pinhead" Griffith). They did a lot to make use of "cartooning" (which is not necessarily "funny") but did little to improve reporting. Just another way to convey information (although Will Eisner used the format to make military maintenance and saftey instruction not so drab and somewhat clearer).

Even before digital photography, there was nearly 100 years of photo manipulation going on. BUT it was harder to manipulate an image and still present an "original negative" that could easily be inspected by an editor.

I'd heard at one point in time that digital images were not admissible in court (but I doubt that is the case today).

36 posted on 08/18/2006 9:53:28 AM PDT by weegee (Remember "Remember the Maine"? Well in the current war "Remember the Baby Milk Factory")
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To: abb
But the photojournalist standing on the crumbling ramparts of her
once proud citadel now sees the vandal army charging for the sack
led by “zombietime,” “The Jawa Report,” “Powerline,”
“Little Green Footballs,” “confederateyankee,” and many others.

In each case, these bloggers have engaged in the kind of probing,
contextual, fact-based (if occasionally speculative) media criticism
I have always asked of my students.


Poor guy still doesn't get it.
Thanks to the Internet (well, except for the part in Communist China),
the MSM workproduct is open for review by hundreds of retired spooks
who spent their careers making and spotting forgeries.

Thank you G-d that I've lived to see the MSM frauds exposed in
the light of day.
39 posted on 08/18/2006 10:09:29 AM PDT by VOA
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To: abb

A very well-written article. I only hope we can see more journalists, especially photojournalists, with the kind of ethics the author describes. Of course, that won't solve the problem of political bias, but we'll sure take progress where we can get it.


40 posted on 08/18/2006 10:18:19 AM PDT by TChris (Banning DDT wasn't about birds. It was about power.)
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To: abb
But true as well is that local stringers and visiting anchors alike seem to have succumbed either to lens-enabled Stockholm syndrome or accepted being the uncredited Hezbollah staff photographer so as to be able to file stories and images in militia-controlled areas.

He skips around the core issue with this sentence. This isn't Stockholm Syndrome. IMO most of the photogs and editors involved here actively side with Hiz and the Palestinians over Israel. They are not upset that they were spreading propaganda, only that they got caught. Otherwise, they would be willing to air out the truth like this guy suggested.

42 posted on 08/18/2006 10:26:22 AM PDT by dirtboy (This tagline has been photoshopped)
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To: abb
It does not help that certain news organizations have acted like government officials or corporate officers trying to squash a scandal. The visual historian in me revolts when an ABC producer informs me that Reuters “deleted all 920 images” by the stringer who produced the “Beirut double smoke” image and is “less than willing to talk about it.” Can you say “18-minute gap,” anyone?

LOL - The MSM is Nixon!!!

44 posted on 08/18/2006 11:01:26 AM PDT by GOPJ (Profiling isn't aimed at demonizing Muslims; it's aimed at saving lives, including Muslims. Stiletto)
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To: abb
People have been faking photographs since the daguerreotype, but the lefties have gotten so brazen about it they've finally overplayed their hand
47 posted on 08/18/2006 12:21:49 PM PDT by ozzymandus
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To: abb
The stakes are high. Democracy is based on the premise that it is acceptable for people to believe that some politicians or news media are lying to them; democracy collapses when the public believes that everybody in government and the press is lying to them.
To the contrary, republican government is based on the premise that the median voter will be cautious enough, often enough, to keep republican government from being as bad as aristocratic government.
The wisest and most cautious of us all frequently gives credit to stories which he himself is afterwards both ashamed and astonished that he could possibly think of believing . . .

It is acquired wisdom and experience only that teach incredulity, and they very seldom teach it enough. - Adam Smith


48 posted on 08/18/2006 2:01:56 PM PDT by conservatism_IS_compassion (The idea around which liberalism coheres is that NOTHING actually matters except PR.)
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To: abb
I'm not sure, however, if the craft I love is being murdered, committing suicide, or both.

It seems odd to find a journalism school professor who is up to speed on this stuff. I am more accustomed to J school profs who are unapologetic lefty propagandists, intent on teaching their students how to "make a difference" by lying for liberalism.

I hope Perlmutter has tenure.

53 posted on 08/18/2006 7:40:01 PM PDT by TChad
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To: abb
"I'm not sure, however, if the craft I love is being murdered, committing suicide, or both."

Then you haven't got a clue. The days when you could get a Pulitzer for carrying a dead child out of a fire, or a place on the front page if you planted a toy in the rubble are over my friend. You and your pack of jackals have lost all credibility. Any one with a digital camera or cell phone can now globally broadcast a non staged incident seconds after it has occurred.You people will have to rely on The National Enquirer and Time Magazine for a living.
71 posted on 08/20/2006 11:34:50 AM PDT by TET1968 (SI MINOR PLUS EST ERGO NIHIL SUNT OMNIA)
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