Posted on 07/07/2006 4:18:28 AM PDT by bd476
One of my favorite scenes in Amadeus..is when Mozart (while dying) is dictating to Solieri The Requiem...
...it was exciting to watch his quick mind compose the notes, sound out the music, make corrections...and convey the score to his nemesis/admirer.
Incredible drama!
Anonymous, but sourced. Part of a collection of manuscripts discovered in the abbey at Beuern (hence "Carmina Burana" - "Songs of Beuern"). This particular poem and others were set to music by Carl Orff.
LOL
Cornell University:
Mozart and the Keyboard Culture of His Time
In the drawing-room culture of the late-eighteenth century, sentimentality and sensibility loomed large. The cult of sensibility prescribed a code of conduct, particularly with regard to individuals reactions to art and culture.
Displaying the right sentiment in response to the contemplation of art proved taste, education and class. Emotions became stylized into mannerisms; education was commodified in the possession of art, and art was commodified in kitsch.
In the emotional playspace that kitsch represents, we can experience heightened emotions without fear of the consequences. Within kitsch, emotions can be safely indulgedcircumscribed and prescribed. Represented by classics in art, emotions become safe.
The kitsch industry was an outgrowth of the Kenner und Liebhaber (dilettante and amateur) market, intimately tied to the drawing room. Bildung (education) became the main indicator of class. Music making, commonly centered around the piano, was the safe and appropriate pastime of ladies in the drawing rooms. It was the forum for the exploration of emotions as well as the display of ones own appropriate sensitivity.
Mozart spoke to this domestic setting not only through his music, but also through his image. The Mozartian image as a representation has gathered connotations intimately tied to the self-understanding of the bourgeoisie.
Bildung and Bürgertum (bourgeoisie), emotion and composure, come together in the image of Mozart. His music is accessible and clear, it is popular, yet its high standard is impossible to deny.
Mozarts image is manifold. It ranges from the dark, sinister and unconventional connotations of Don Giovanni to hints of seriousness and exclusivity, from an air of indulgence to an awareness of tradition and perfectionthe image of the classic.
The darkness of the Requiem, the melancholy of the G minor symphony, and the delightful tinkling of Papagenos music-box arias, as well as the sparkle of the ubiquitous "Kleine Nachtmusik," not to forget the romanticism of his Piano Concerto K. 467: Mozart encompasses all emotions.
Commodification & Kitsch
Mozart and the Keyboard Culture of his time Credits
For a while the price at amazon.de was about $100 with shipping compared to about $300 from amazon.com. I just checked and the German price has gone up while the American amazon.com price has dropped a lot, so there isn't a huge price difference anymore.
I bet you all expected this on this thread.....GRIN...
is this one of those da vinci code clues?
ROFL!
Hey wait a second, Finnigan. You must be thinking of the French.
Thank you for that link. That's a cool photo!
Looks like Marty Feldman to me.
That's an excellent question. It would be interesting to discover if any of his descendants had inherited his musical genius or if anyone had passed along The Mozart Effect.
Looking at the photo and the sketch in post #10, I think Constanze is the women on the right. The face type of the woman on the left is narrow and long, where post #10 shows a rounder face.
It's hard to believe a woman of 78 has dark hair, completely dark hair. She looks like late 40's or so, which could be the age of an eldest daughter of Max Keller.
I think the photo we are looking at has been reversed from the original. If the original had something written on the back, and said Constanze was on the left, it the image has been reveresed by the newspaper or the town, the accompanying attribution descritption would be reveresed as well.
Anyway, viewing a 166 year old photograph is way cool--like being in a time machine.
Very cool. It's amazing to consider that the first photos were taken just a little more than a decade after Thomas Jefferson and John Adams passed away. In fact, there is a photo of John Quincy Adams out there somewhere that I've seen. He was a frizzled old bird when they took the shot.
Cornell University:
Mozart and the Keyboard Culture of His Time
Leopold Mozart with Mozart and Maria Anna
Leopold Mozart with Mozart and Maria Anna, called Nannerl. Watercolor by Louis Carrogis de Carmontelle, Paris, November 1763. Original owned by the British Museum.
Leopold Mozart with Wolfgang and Maria Anna
This is probably the original painting from which several copies, including an engraving, were made. The original was executed at the request of the Mozarts Parisian patron, Baron Melchior von Grimm.
Leopold Mozart
Yup. And, the first FAX was sent in the mid-1800's in Italy.
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