Racism not part of Tar Baby tale

Those who have recently been decrying a "racist use" of the image of the Tar Baby might benefit from knowing more about the allusion and its origins.

Tony Snow, now the White House press secretary, certainly found himself in the proverbial Brier Patch when he used the image to describe his predicament when facing his first meeting with the Washington press corps.

The infamous Tar Baby originated as a figure in a grand scheme detailed in an African-American Brer Rabbit slave tale. These stories, in which the sly rabbit always manages to outwit those who are stronger and more powerful than he, were shared by slaves who took great pleasure in the trickster rabbit's exploits.

Brer Rabbit is supposedly weaker than those around him, just as the slaves were, but in hundreds of tales based on African lore he manages not just to escape but also to outwit and embarrass his persecutors. Shortly after the Civil War ended, the Brer Rabbit tales were appropriated by Joel Chandler Harris, a white journalist who created an old former slave character, Uncle Remus, to tell the stories.

Uncle Remus narrated these comic tales in columns that Harris wrote for the Atlanta Constitution. Eventually the tales were collected into a series of books that made Joel Chandler Harris, Uncle Remus and Brer Rabbit famous (Harris was invited to the White House by Teddy Roosevelt, a great fan of the tales).

The stories have a common plan: Uncle Remus tells the Brer Rabbit tales to a little white boy, the son of the old black man's former owner. While Uncle Remus might seem to be an Uncle Tom, a slave who loved his masters and looks back fondly on the times before the war, Remus clearly relishes explaining the rabbit's wily ways.

Harris once explained to his readers that his character Uncle Remus understood all too well how the balance of power in the Slave South worked against all slaves, who in order to survive had to depend on quick-wittedness and deception.

So we come to the most famous of all the Brer Rabbit tales, the Tar Baby story. In Uncle Remus' tale, the sticky doll is designed by Brer Fox as a way to catch Brer Rabbit. Brer Fox knows that Brer Rabbit will insist that it speak to him, as a sign of respect.

Sure enough, when Brer Rabbit encounters the Tar Baby on his path, he is insulted when the doll refuses to acknowledge his greeting, and he grabs hold of the sticky arm and soon finds himself hopelessly stuck (Snow's analogy to his own situation in the Bush White House might be all too appropriate).

In Uncle Remus' story, it looks as though Brer Rabbit's goose is cooked, to mix a metaphor. Brer Fox thinks he has finally caught his prey, until the rabbit, in a wonderful example of reverse psychology, tells Brer Fox to go ahead and do anything he wants, but "Please don't throw me in that Brier Patch."

Brer Fox can't resist the opportunity to make his enemy suffer the worst of all fates, so he does exactly what Brer Rabbit begged him not to do. Once in the briers, Brer Rabbit, free of the sticky tar, hops happily away with a final taunt: "I's born and bred in the Brier Patch, Brer Fox."

In some circles today, the Tar Baby seems to have evolved into a racist stereotype insulting to African-Americans. Harris was not immune to prejudice against blacks in his own time. However, he understood the slaves' ability to survive, and he never altered the plots of the Brer Rabbit tales that he had heard when he worked on a plantation himself, as a white boy living in poverty in middle Georgia.

The Tar Baby story celebrates the ingenuity of the slave and his determination to get free at any cost. The plantation South was the slaves' brier patch, and the Tar Baby just one of many traps set by a powerful foe.

Snow's reference to the tale, given the workplace he has just joined, seems to fit. And instead of being insulted, people of color today can take pride in the fact that, in the original story, they are the literary descendants not of the Tar Baby but of its nemesis, the persistent, victorious Brer Rabbit, who knows a good Brier Patch when he sees one.

His was a powerful intellect expressing the antithesis of racism. That the "Politically Correct" have removed these stories depicting a rich and sophisticated side of black culture from the literature IS an act of racism.

And look what black culture's been replaced with--ghetto gangsters as predatory and malicious as Br'er Fox.

Looks like Disney's "Song of the South" still is locked in the Disney vault. I remember seeing it on the big screen in the eighties, but I was way too young to pick up on any racial subtexts.

Looks like Disney's "Song of the South" still is locked in the Disney vault.

You can watch the "Tar Baby" portion of it here.

http://theforbidden-zone.com/video/tarbaby.mov

Gypsies were of Indian/Paki descent, and spoke a kind of Sanscrit and I don't think were Muslim--AAMOF, their entrance into Europe may well have predated Mohammed. The tribes linger here and there. One's on the border of GA and SC--a dangerous place to hire contractors. I used the term "gyp" as often as I please. You'll never find a gypsy who'll act offended, because that'd identify him as a Gypsy, but you might find a lib who pretend to be offended for him.

25 posted on 05/27/2006 1:16:32 PM PDT by Libloather (They can't privatize Social Security but they can find a way to give it to illegal aliens...)

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