Psychotic Reaction
~ Count Five ~
Strictly speaking, based on their raw talent, the Count Five wouldn't rate too much attention from music historians. The definitive one-hit wonders, they failed to make much of a lasting impression on the listening public or on music — but just play that one hit, "Psychotic Reaction," even 40 years after the fact, and almost any audience will brighten up and want to hear more. Their one fault was that they could never generate more — they tried but never issued another record half as good. In 1965 the group was turned down by Capitol Records, Fantasy Records, and a handful of other California-based companies, but after working out a new arrangement of "Psychotic Reaction" with the band, Lord got the song and the group placed with Double Shot Records, a Los Angeles-based label. The record — a chugging, fuzz tone-laden piece of punk defiance with more than a few signature licks and phrasings borrowed from Bo Diddley and the Yardbirds, among others, and a punk attitude that was worthy of the Standells — eventually made number five nationally and number one in Los Angeles.
Unfortunately, the band was never able to follow up the hit with anything even remotely as successful. An album was rushed out, containing some ill-conceived originals, but nothing that the group did after "Psychotic Reaction" seemed to work. They tried reusing the same formula, working in a slightly more folk-rock vein, and attempting some fresh guitar pyrotechnics (on "The World" and "Pretty Big Mouth" and, in a psychedelic vein, on "Peace of Mind"), plus a pair of pretty fair Who covers ("My Generation" and "Out in the Street"), but by 1967, it was clear that the group's days were numbered. The strain of maintaining music careers while attending college — which was essential to the members keeping their draft deferments — took its toll, as did the dwindling bookings, as memory of "Psychotic Reaction" faded. In the end, after an attempt by Double Shot to keep Byrne as the only active member, the Count Five ceased to exist.
Their story might have ended there, as dimly remembered one-shot hitmakers, but for the 1972 release of Nuggets, Lenny Kaye's original '60s garage/psychedelic punk compilation. "Psychotic Reaction" may not have been the most original track on the album, but it was one of the more accessible, and still potent and enjoyable on its own terms six years after the fact; suddenly a new generation of enthusiasts discovered the Count Five. Yardbirds fans, in particular, tended to despise the group for having ripped off many of lead guitarist Jeff Beck's pyrotechnical tricks in a more commercially successful manner, but generally the song proved a popular oldie selection among more knowing '60s listeners, and there was demand for their album, which resulted in several rounds of reissues on vinyl and CD. In the decades since, the group has rated at least a mention in most histories of garage rock and psychedelic punk, and "Psychotic Reaction" is as much a standard of the genre as the Standells' "Dirty Water" or the Thirteenth Floor Elevators' "You're Gonna Miss Me."
You're Gonna Miss Me
~ 13th Floor Elevators ~
Featuring the yelping vocals and visionary, occasionally demented lyrics of Roky Erickson, the 13th Floor Elevators were one of the original acid rock bands. Formed in Texas in the mid-'60s, the Elevators started as a garage rock outfit, scoring their one and only modest national hit with "You're Gonna Miss Me." While Erickson's loopy persona, along with Tommy Hall's odd "jug" percussion, were the band's most distinguishing features, several members of the group's original lineup contributed strong material to their albums. Although these inconsistent efforts sometimes wander off into a cloudy haze, they also include sturdy folk-rock tunes and driving psychedelic rockers. Trips to San Francisco established the group as up-and-coming underground favorites, but Erickson's drug problems led to the Erickson being committed to a state mental hospital in the late '60s, an ordeal from which he never fully recovered. The band was really only at full power for a couple of albums, although all of their releases for the legendary International Artists label — produced by, of all people, Kenny Rogers' brother Leland — are revered among psychedelic collectors.