Courier was originally designed in 1956 by Howard Kettler for the revolutionary golfball typing head technology IBM was then developing for its electric typewriters. (The first typewriter to use the technology was the IBM Selectric Typewriter that debuted in 1961.) Adrian Frutiger had nothing to do with the design, though IBM hired him in the late 1960s to design a version of his Univers typeface for the Selectric. In the 1960s and 1970s Courier became a mainstay in offices. Consequently, when Apple introduced its first Macintosh computer in 1984 it anachronistically included Courier among its core fonts. In the early 1990s Microsoft, locked in a font format battle with Adobe, hired Monotype Typography to design a series of core fonts for Windows 3.1, many of which were intended to mirror those in the Apple core font group. Thus, New Courierlighter and crisper than Courierwas born. (In alphabetized screen menus font names are often rearranged for easier access so now we have Courier New MT in which the MT stands for Monotype Typography.)
Couriers vanquisher was Times New Roman, designed in 1931 by Stanley Morison, Typographical Advisor to the Monotype Corporation, with the assistance of draughtsman Victor Lardent. The Times of London first used it the following year. Linotype and Intertype quickly licensed the design, changing its name for their marketing purposes to Times Roman. Times Roman became an original core font for Apple in the 1980s and Times New Roman MT became one for Windows in the 1990s. (Ironically, at the same time IBM invited Frutiger to adapt Univers for the Selectric Typewriter, they asked Morison to do the same with Times New Roman.) Whether superior to Courier or not, neither of these digital renditions of Morisons original design is the best one available todayin the opinion of information design specialist Erik Spiekermann that honor goes to a version called Times Ten.
Has anyone tried processing the document using the Adobe version of Times Roman? That's the Linotype version.
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