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To: jackbill; alnick
Jack, are you saying that Kerry took a camera and went BACK to Vietnam to make those films? After the war was over?
901 posted on 05/04/2004 9:05:09 PM PDT by Howlin
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To: Howlin
Jack, are you saying that Kerry took a camera and went BACK to Vietnam to make those films? After the war was over?

He didn't go all the way to Vietnam. Any jungle area would do. But of course he filmed the sequences after the fact. Nobody would be caught doing this on active duty. Kerry has been planning to be President since he was a child.

907 posted on 05/04/2004 9:16:51 PM PDT by Pukin Dog (Sans Reproache)
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To: Howlin
The clip of Kerry emerging from the "jungle" that appears in his campaign ads is from the home movie that he made, shortly after the "action".

From a Byron York article at:

http://www.nationalreview.com/york/york200402270811.asp

In fact, he is often playing an actual movie of Vietnam over and over on his television. Consider this scene from a remarkable profile of Kerry published in the Boston Globe in October 1996, when Kerry was in a tough reelection battle:

Kerry told reporter Charles Sennott the oft-repeated story of the February 1969 firefight in which Kerry attacked the Viet Cong who ambushed his Swift boat. Kerry won the Silver Star, as well as a Purple Heart, for his efforts. But the story wasn't just the firefight itself. It was also Kerry's reaction to it.

The future senator was so "focused on his future ambitions," Sennott reported, that not long after the fight, he bought a Super-8 movie camera, returned to the scene, and reenacted the skirmish on film. During their interview, Kerry played the tape for Sennott.

"I'll show you where they shot from. See? That's the hole covered up with reeds," Kerry said as he ran the tape in slow motion.

Kerry told Sennott that his decision to reenact the fight on film was no big deal — "just something I did, no great meaning to it." But it's clear that the old movie is a huge deal. "Through hours of watching the films in the den of his newly renovated Beacon Hill mansion, it becomes apparent that these are memories and footage he returns to often," Sennott wrote.

"Kerry jumps repeatedly from the couch to adjust the Sony large screen TV in his home entertainment center, making sure the picture is clear, the color correct. He fast forwards, rewinds and freeze frames the footage. His running commentary — vivid, sometimes touching, sometimes self-serving — never misses a beat."

In John Kerry's home-entertainment center, it's always 1969.

995 posted on 05/05/2004 6:14:44 AM PDT by jackbill
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