Posted on 03/09/2004 10:17:36 AM PST by aculeus
I'm fairly certain that the seeds of Mel Gibson's extraordinary work The Passion of the Christ were sown long before Islamic fundamentalists delivered their abominable message to America and the entire Judeo-Christian civilization. A devout Catholic for much of his life, Gibson has openly admitted that until he returned to his faith, his life was in a shambles. He'd contemplated "jumping out the window." With all the fame and money anyone could want sitting at the top of the entertainment industry, this extraordinarily brave Australian artist felt obliged to risk it all for his Lord.
Gibson was asked on a network interview show, "What if the film fails? You've personally invested $25 million in it." Without much of a pause, the director replied, "I can go to work for $18 an hour."
The New York Times recently predicted the end of Gibson's career. Five days and over $100 million in box office receipts later, that bible of Liberal America and the famous curmudgeon Andy Rooney of 60 Minutes, dismissing a film he never saw, were proven wrong. When asked if he'd seen the film, Rooney replied, "I'm not gonna pay $9 just for a few laughs." He should have seen it, if only to avoid his own embarrassment. The only people laughing in The Passion of the Christ are the villains.
Whether you believe in fate or not, I personally know the importance of a creative urge which begins long before its necessity reveals itself. The protests against the film are further evidence of how deep-seated the Liberal establishment's fear of Christianity truly is. But the genie is out of the bottle and the anti-Christian types can do nothing to stuff it back in again. I envision Gibson's testimony to be pirated into countries that will try to keep it out.
Osama bin Laden's assault on the Twin Towers was also a declaration of spiritual war. With his hijacked planes, he was basically saying that we English-speaking peoples don't believe in anything except money and our own greed for power. In other words, we wouldn't know true religious fervor any more than we would know how to speak Arabic.
The Islamists hadn't counted on the courage and selflessness of Gibson's faith. Nor do they know the depth to which a worldwide spiritual armada will gather to confront bin Laden and his minions and defend our 2,000-year-old message.
Marxism is still less than 150 years old, but until quite recently it was winning the popularity contest with the liberal leadership class and media opinion-makers. The Marxist machine demonized Christian faith with increasing success.
President George W. Bush has so far failed to capture bin Laden. Gibson, however, has struck more forcefully at the heart of al-Qaida's spiritual armory than the American ground troops who drove Saddam Hussein into a rathole.
The stakes are now even higher than those of World War II. A simple inventory of the world's arsenal will tell you that.
Could there be a non-violent response to our enemy's ultimate goal? There is now. The fallout from this metaphysical bomb will be endless.
Gibson, while writing his script, must have sensed the secular implications it would hold for its audience. Much of his film is straight from the Gospel according to Matthew, Mark, Luke and John. I'm grateful that Gibson added Luke's sole testament about the Good Thief.
The few elaborations Gibson added must have been inspired by his increasing awareness of what is to come. The experts might correct me, but I really don't think that Christ crushed the head of a snake in the Garden of Gethsemane. He refused the Devil's temptations in the Wilderness, but at Gethsemane he was utterly alone, without man or beast to comfort or torture Him, as He sweated blood over His coming fate.
Do I object to that act of killing by the God of love and forgiveness? The Catholic Church declared unequivocally that there is such a thing as a "just war."
Mine eyes have seen the glory of the coming of the Lord. He is trampling out the vintage Where the grapes of wrath are stored. Battle Hymn of the Republic
There's no way to call either the American Civil War or World War II "unjust." Yet now much of the world is protesting the imprisonment of a known, genocidal psychopath, Saddam Hussein. Even Christian leaders are joining the campaign. Archbishop Desmond Tutu asked Britain's Prime Minister Tony Blair and President Bush to apologize for the invasion of Iraq. I wonder if the Archbishop would have asked Abraham Lincoln to apologize for invading the South at a cost of 600,000 lives, a large chunk of the American population in 1865, to free the black slaves.
To that extent, perhaps Gibson is a contemporary prophet. Seemingly unafraid of anything, the director took the implications of human history and added an Old Testament warning: Yahweh is not known to be all-forgiving. The Devil in the New Testament is a voice, not a body, a hissing in Christ's ear. Gibson envisions Lucifer as an icy-eyed hermaphrodite.
A friend who viewed the movie with me, leaned over and asked me why, after the long trek toward Calvary, with all the scourging before and along the way, there was no blood on the cross. The cross is the entire human race and all its sins. Because of Christ's forgiveness, the blood of Jesus is no longer staining us if we accept His boundless offer to absolve us of all our sins.
Once the nails are driven into Christ's hands and feet, we see the blood flowing again. Not long after that, the Lord forgives the very men who hammered the nails into his flesh.
When asked why his portrayal of Christ's torture was so brutal, Gibson replied, "To show the enormity of His sacrifice."
In 33 A.D., the world's population was hardly what it is now. Today, six billion souls live on planet Earth. Obviously the weight of that cross and the depth of Christ's vocation have increased exponentially. I take no fault in Gibson's pointing this out. Those numbers, coupled with the breathtaking insensitivity and indifference to Christ's message that even the free world has shown, justify the film's shock value, to my mind.
I have a few devout Catholic friends. I told them, because of their lifelong faith, they are not obliged to relive the Crucifixion. They endure it in their hearts every time they look at a crucifix. Our Lord to them is now a family member and watching Him die again would be like living through the execution of our father or son.
Gibson is here to simply remind us of the only hope the human race has: the love and forgiveness of our Lord, the Christ.
Michael Moriarty is a Golden Globe and Emmy Award winning actor who has appeared in the landmark television series Law and Order, the mini-series Holocaust, and the recent mini-series Taken. In 2002 he won an Emmy for Outstanding Supporting Actor in a Miniseries.
The War Against Terror does indeed have a heavy spiritual component, and Moriarty points out the connection. No doubt copies of this work (even pirated ones, thank you, China) will find their way into every nook and cranny of the world - even places where there is no Bible.
Man cannot "kill" the Gospel. It has been tried since the beginning and has failed every time. Even in Communist China it flourished underground.
But Islam is a particularly difficult nut to crack as it is as much cultural and familial as it is political. 'The Passion' will help the Word get out to an immense, suffering, Muslim humanity. Once the Holy spirit takes hold there He will spread like wildfire, just like last years' California wildfires. These multitudes are spiritually dry, rotted with infesting insects and stacked like waiting tinder.
The Battle Hymn of the Republic
Mine eyes have seen the glory of the coming of the Lord
He is trampling out the vintage where the grapes of wrath are stored,
He has loosed the fateful lightening of His terrible swift sword
His truth is marching on.
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
His truth is marching on.
I have seen Him in the watch-fires of a hundred circling camps
They have builded Him an altar in the evening dews and damps
l can read His righteous sentence by the dim and flaring lamps
His day is marching on.
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
His truth is marching on.
I have read a fiery gospel writ in burnish`d rows of steel,
"As ye deal with my contemners, So with you my grace shall deal;"
Let the Hero, born of woman, crush the serpent with his heel
Since God is marching on.
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
His truth is marching on.
He has sounded forth the trumpet that shall never call retreat
He is sifting out the hearts of men before His judgment-seat
Oh, be swift, my soul, to answer Him! be jubilant, my feet!
Our God is marching on.
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
His truth is marching on.
In the beauty of the lilies Christ was born across the sea,
With a glory in His bosom that transfigures you and me:
As He died to make men holy, let us die to make men free,
While God is marching on.
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
His truth is marching on.
2002 Taken
Character played: Col. Campbell
2001 Along Came a Spider
Character played: Senator Hank Rose
2001 James Dean
Character played: Winton Dean
2001 House Of Luk
Character played: Mr. Kidd
2000 Becoming Dick
2000 Galileo: On the Shoulders of Giants
Character played: Galileo
2000 Children of Fortune
Character played: Sheriff Bast
2000 Bad Faith
2000 The Art of Murder
1999 Shiloh 2: Shiloh Season
1999 Strange World
1999 Woman Wanted
1998 Choosing Sides: I Remember Vietnam - Fields of Fire
1998 Choosing Sides: I Remember Vietnam - The War At Home
1997 Major Crime
Character played: Gordon Tallas
1996 Courage Under Fire
Character played: Gen. Hershberg
1996 Shiloh
Character played: Ray Preston
1995 A Good Day To Die
Character played: John Maxwell
1995 Children of the Dust
Character played: John Maxwell
1990-94 Law & Order
1989 Tailspin: Behind the Korean Airliner Tragedy
1989 The Secret of the Ice Cave
1988 Windmills of the Gods
Character played: Ellison
1988 Nitti
Character played: Hugh Kelly
1988 Dark Tower
Character played: Dennis Randall
1987 It's Alive 3: Island of the Alive
Character played: Steve Jarvis
1987 A Return to Salem's Lot
Character played: Joe Weber
1987 The Hanoi Hilton
Character played: Lt. Comdr. Williamson
1985 The Stuff
Character played: David "Moe" Rutherford
1985 Troll
Character played: Harry Potter, Sr.
1985 Odd Birds
Character played: Brother T.S. Murphy
1985 Pale Rider
Character played: Hull Barret
1982 Blood Link
Character played: Dr. Craig Mannings/Keith Mannings
1982 Sound of Murder
1982 Q Character played: Jimmy Quinn
1981 Renacer
1979 Too Far to Go
Character played: Richard Maple
1978 Holocaust
1978 The Winds of Kitty Hawk
Character played: Wilbur Wright
1978 Who'll Stop the Rain?
Character played: John Converse
1978 Reborn Character played: Mark
1977 The Deadliest Season
1974 Shoot It Black, Shoot It Blue
Character played: Herbert G. Rucker
1974 Report to the Commissioner
Character played: Beauregard "Bo" Lockley
1973 A Summer Without Boys
1973 The Glass Menagerie
Character played: Jim O'Connor
1973 The Last Detail
Character played: Marine Duty Officer
1973 Bang the Drum Slowly
Character played: Henry Wiggen
1972 Hickey and Boggs Character played: Ballard
1971 My Old Man's Place
Character played: Trubee Pell
Even at that early date, President Bush had the historical perspective.
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