I hear that.
Some of the classics are only 'right' if they're in black and white.
When they go colorizing things the movie loses something.
Cassablanca, Bell, Book and Candle, Most of Alfred Hitchcock's work, On the Waterfront, The Longest Day, King Kong, In Harms Way, They Were Expendable, Wake Island, any Cagney or Edward G. Robinson movie, to mention only a few ruined by colorization.