Posted on 10/02/2024 8:54:36 AM PDT by SeekAndFind
I haven’t seen “Am I Racist” yet, but I’m a white male so I have seen most of it.
I don’t recall megalopolis having an “anti-Trump” vibe.
If it had it would certainly be getting good ratings from the critics.
Hollywood spending $120 million on failed movie with Anti-Trump propaganda is still considered to be value for money.
I don’t know where it comes from, but they seem to have unlimited money for leftist projects and corruption
why else would they have given the Obama’s $140 million to do nothing but attach their name to garbage documentaries?
I’m not watching it unless the Jon Voight car is in it.
lolz
Do you mean John Voight’s LeBaron?
Yes, that one!
Doesn’t he spell his name “Jon” ?
John Voight, the periodontist.
Ah.. George has his pencil
Am I Racist is in theaters now. That is a first for Daily Wire films, which have previously been siloed behind the paywall on the website. It also got a wide release, which is remarkable. If it is in your area, go see it. We do a lot of complaining about the leftist tilt of the film industry, so it behooves us to support a good conservative film when one appears.
We saw it a couple of days ago. It is solid and funny in parts. A lot of people are calling it a Borat style mockumentary. Not having seen the Borat movies, I have to punt on that, but my sense is that it is closer to a straight documentary, Matt Walsh’s funny disguise with the wig and manbun notwithstanding. Basically, he puts a microphone in front of people, asks them simple questions, and lets them talk. The DEI types come across as total idiots, but you already knew that. And he engages in some pretty great trolling.
Getting Robin D’Angelo to pay reparations to one of his crew, who is blackish, is outstanding.
The film was released September 13 and made back its $3 million cost the first weekend. It is now approaching 4x its budget. It is in record breaking territory for a documentary and may end up as the top documentary of the year.
Viewer ratings are extremely high. Obviously conservatives are turning out. The interesting angle to me is the obviously orchestrated blackout by the critics. As of now, there are only 12 critics reviews on Rotten Tomatoes, and all are from the little guys — the YouTube freelancers, etc. The big thing to note is that NOT ONE of RT’s “top critics” has reviewed the film — or if they have, RT isn’t publishing them.
NOT ONE. For the top documentary of the year. That’s not a coincidence and it’s not just the dominant LeftWorld tilt of the tribe. That’s an organized, disciplined silencing. One would ordinarily expect a scattering of contrarians, a few independent thinkers, and a slew of lefty critics who review the film to savage it. But ZERO reviews from the top critics? Impossible unless an order has gone out and is being enforced. I’d like to know the story on that.
RT is not independent. It is owned by Fandango (Comcast) and Warner Bros Discovery.
Matt Walsh has been pointing out that several major liberal publications have indeed reported on the film, but with pieces written by news or feature writers. NONE of the movie critics from those same publications have reviewed the movie. Occam’s Razor suggests either that RT has put out the word that the critics will lose their platform if they touch it, or alternatively, RT is simply refusing to print top critic’s reviews. But the censorship seems to me to be obvious.
40 times less? Who writes this crap? Forty times $120 million is $4.8 billion. $120 million less $4.8 billion is a negative $4.68 billion. 1/40th the cost maybe. But not forty times less.
Thank you.
n times less meaning 1/n as much went from advertising claim jargon (ad claims are not subject to literal interpretation in court, that’s why they use them.) to political statements. I kind of prefer that idiots do use them because they unmistakably signal their unnumerate idiocy and intention not to be held to what they say.
I think you misunderstood the article. The Coppola film cost $120 million. Walsh’s “Am I Racist” was made for 40 times less, which means it cost around $3 million or a little more to make.
According to the article, Am I a Racist cost $3 million to make. Megalopolis cost $120 million.
$3 million * 40 = $120 million.
$120 million / 40 = $3 million.
Seems like the math is okay to me.
Getting Robin D’Angelo to pay reparations to one of his crew, who is blackish, is outstanding.
“MLK said a lot of things!”
The tension between “white centricity” and avoiding “cultural appropriation”.
White people are oppressors and there is nothing they can do about that (so why are we here again?).
It is amazing not just that reviewers are not reviewing it, but that so many publications that the “top critics” are employed by are writing articles about the movie. There is no way that is not deliberate.
The math and the phrasing are both incorrect. 40 times less of something is not the same as 1/40th of something. Times is a multiplication term. 40 times 120 million is 4.8 billion. 4.8 billion from 120 million is negative 4.68 billion. You can't logically say something that cost 3 million is forty times less than something. Mathematically, forty times 3 million is 120 million, but if you took 40 times 3 million and subtracted it from 120 million, you'd have zero. Logically and mathematically incorrect.
Agreed. And I would expect more to come out about this story. Not all the RT top critics are leftards. The majority undoubtedly lean left because that is the sea from which they are mostly recruited and in which they swim, but the best of the breed, first and foremost, are serious about film and want to do serious criticism, because they all understand that propaganda movies are almost always garbage. (We can allow a few exceptions here.) They will follow the story where it leads, and parodies, spoofs and mockumentaries should be in their wheelhouse. The really good ones will try to keep overt politics out of their reviews unless they are specifically criticising excessive politicization in a movie. A few might even be clandestine conservatives, and more probably identify as libertarian or independent. Some are proudly contrarian.
Many of them grok what has gone wrong with Hollywood and understand that alienating half the country in the interests of ideological fetishism compromises artistic integrity and is suicidal for the art form that they love.
Getting unanimity out of this crowd is unthinkable without some serious thuggery behind the scenes. For all I know, some of the top critics actually have reviewed Am I Racist and RT is simply refusing to print the reviews or is perhaps even threatening them with a loss of access to the platform. How, for example, can The Atlantic publish a long article on Am I Racist — which Matt Walsh thought was reasonably fair — while The Atlantic’s film critic refuses to review the hottest documentary of the year? I’m wondering if one or more of the top critics will break omerta at some point. Or if Matt Walsh will be tipped off and blow the whistle. Something as yet unrevealed is going on.
Uncle Frank!
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.