Posted on 02/26/2006 2:58:29 PM PST by FairOpinion
Hi ho, hi ho.
Would be a shame if true: The Greeks didn't really realize that white was the classic look.
L O L
LOL! Good for you!
. . . that took some looking, btw. The Greeks haven't used glyphs since Phaistos . . . and the Minoans probably weren't Greek anyhow --
A late-comer to this thread; suffering with the flu.
So if the Nashville copy is a complete restoration, why aren't the areas behind the metopes (those little sculptures on the entablature) painted the bright colors I've heard about?
Like An American Mother, I, too, have heard that the ancient temples were painted, although I had not seen such a bright example as the Peplos Kore she posted earlier. I keep forgetting exactly what the colors used were: green, red, and blue, but where they were on the Parthenon I can't remember. That's why I'd like to see the Nashville "copy" with the "real" colors. (Actually, I have to confess I do like the "white" classical ideal better...it's less garish than the reconstructions.)
I liked the story of the marble chips being scattered. Typical. Far better to have the tourists get those chips than chip off the originals.
Now...if we can only get the Parthenon taken to London to save it from further acid rain decay. Think Lord Elgin can be revived? :)
Go ahead and replace all the caryatides with concrete copies, and get the originals to London where they can be preserved properly in a climate-controlled environment . . .
. . . looks around to see if cat is firmly ensconced among pigeons . . .
I thought it was the figures and not the backgrounds that tended to be painted . . .
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