Free Republic

Paul Feig, director of 2016’s female-led Ghostbusters reboot, says the movie was caught in the same misogynistic “vortex” as then-presidential candidate Hillary Clinton. “I have been dying for somebody to look at Hillary Clinton’s campaign and us, because we were caught in the exact same vortex,” Feig told The Telegraph when speaking about new Anna Kendrick and Blake Lively mystery-thriller A Simple Favor. “It was shocking. I still think about it a lot, honestly — sometimes I’m like, ‘OK, stop thinking about it.’ Because I’m really proud of the movie, and while people still send me mean things, overwhelmingly more...

Judd Apatow (“Trainwreck”) defended his “Freaks and Geeks” collaborator Paul Feig on his “Ghostbusters” film, comparing the haters — who disagree with the all-female cast — to Donald Trump supporters. Apatow told Uproxx in an interview, “I would assume there’s a very large crossover of people who are doubtful Ghostbusters will be great and people excited about the Donald Trump candidacy. I would assume they are the exact same people.”

Ghostbusters director Paul Feig has fired back at “misogynistic” critics of his upcoming all-female-led remake, telling a film industry panel over the weekend that he has faced an “onslaught” of hate mail and negative messages since the project was announced two years ago.

Well, well, well, it appears the hostless Oscars came to play. The 2019 ceremony just delivered what could be an Academy Awards first: An acceptance speech dedicated to none other than menstrual periods! Period. End of Sentence. just won the Oscar for Best Documentary Short. “I’m not crying because I’m on my period, or anything,” said director Rayka Zehtabchi. “I can’t believe a film about menstruation just won an Oscar,” she continued. Zehtabchi (who is 25!!) shared the stage with producer Melissa Berton and the rest of the Period team. Period tells the story of women in rural India fighting...

[snip] Which brings us to STX Entertainment’s raunchy, R-rated Melissa McCarthy-puppet comedy, The Happytime Murders, which is dead and wrapped in plastic with a $10.2M start, repping the Groundling alum’s lowest wide opening ever for one of her solo films – not counting St. Vincent, which was a platform release. Happytime Murders’ opening is even lower than McCarthy’s May PG-13 title Life of the Party ($17.9M), which we thought was rock bottom. For the most part, raunchy comedies in the wake of STX’s own Bad Moms and Sony/Annapurna’s Sausage Party two summers ago just continue to bomb or remain stifled...

What I watched for the next two hours was mostly a tragic underutilizing of four of this country's funniest women — Melissa McCarthy, Kristen Wiig, Leslie Jones, and Kate McKinnon as the evil-ectoplasm battlers of the title, fighting to save a New York that is played primarily by Boston — combined with what felt like the world's longest laser-tag game. the main performers rarely get to display their individual idiosyncratic strengths. It's particularly dispiriting to hear McCarthy, one of the most floridly gifted verbal riffers in comedy, have to utter frat-brah catchphrases like "Let's do this." That kind of lifeless,...

The cast of the long unawaited Ghostbusters movie appeared on The Jimmy Kimmel Show on Thursday to promote the remake that nobody asked for.

For a film to break records before its release is usually a good sign. But such records tend to be for advance ticket sales or most trailer views – they do not tend to register unusually high levels of online dissatisfaction. When the first look at footage from Paul Feig’s female-fronted Ghostbusters reboot debuted in March, the reaction encompassed outrage not only that the beloved comedy was being remade, but that the lead characters’ genders would be altered.

t's the film fans have been waiting decades for. And today, the first trailer for the hotly-anticipated Ghostbusters re-boot was finally released. But while many praised the hilarious clip, showing Kristen Wiig, Melissa McCarthy, Kate McKinnon and Leslie Jones battling New York's supernatural nasties, some have complained that the film is falling back on racial stereotypes. That's because, while the white leads, McCarthy, Wiig and McKinnon, play brilliant engineers, professors and scientists, Jones' character is a simple NYC subway worker.

The good news is that Tammy is not a crappy remake of the 1957 Tammy movie with Debbie Reynolds that spawned three sequels and a TV comedy series. The bad news is that this one is much worse. It’s a desperate and brainless vehicle for Melissa McCarthy, which she wrote herself, with her husband, Ben Falcone, who also directed, with all the efficiency and verve of an abandoned Volkswagen on the Jersey Turnpike. There isn’t a single shred of evidence that either of them has one iota of talent in the world of filmmaking. Tammy is not just a celebration...