Maybe it will be one of those “so bad that it’s good” things....?
>>One thinks he may be searching for another word their.
I assume Mark Worgan, the writer of this piece, meant to
say “there”.
Sounds like Obama needs to throw a party for the movie and its stars in the White House. Press not invited.
The modern age of spoof is depressing. They don’t spoof anymore, they just refer, actually making a joke apparently takes too much time, but putting together scenes everyone will recognize from movie trailers is somehow supposed t obe funny. It’s all the Wayans brothers’ fault, they started it with Scary Movie. Mel Brooks needs to hold a symposium before he dies, how to spoof.
this guy obviously never saw ‘plan 9 from outer space’
“I’d call it, The Aristocrats.”
I’ve actually seen a few television ads for this film. I could tell from those that the film would be an absolute stinker.
I will see “Parker” this weekend and will post a review.
There are clips and trailers online for it...watched a couple....it stinks!
nothing can be worse than the standard adam sandler movie.
“invent unbelievable character with impossible diction. make same humor. overcome absurd obstacle. get girl”
waterboy, little niki, billy madison, don’t mess with zohan, etc, etc.
It sounds like they’ve done nothing more than rip off “Kentucky Fried Movie,” or John Landis’ hilarious “Amazon Women on the Moon,” but added “A list” actors.
I have to admit I might check it out once it gets released for free viewing on Amazon Prime, but it does sound like something of a stinker.
Mark
“The amazing cast includes “ ... no actor I have any regard for.
Was it as bad as SONG OF NORWAY?
Fans of 2 1/2 men are sure to like this film.
****.. Over Gross-Out Comedy***
Was it as good/bad as DEAD ALIVE (BRAINDEAD)? I liked this one!
I always stay away from “gross out” movies, stupid is not funny to me.
Lots of competition for “worst movie ever”
modern Hollyweird is where:
creativity equals - using dialogue that has more foul language per minute
creativity equals - using foul language dialogue that is more foul than before
creativity equals - using more foul language for the sake of using more foul language, period
creativity equals - leave nothing of violence to the imagination - more blood, more guts, more souless truly evil charaters commiting horrendous violent acts
creativity eqauls - showing horrendous and detailed bloody violence for the sake of showing horrendous detailed bloody violence
creativity equals - leave nothing related to sexual intimacy to the imagination - more full frontal nudity equals greater creativity; more detailed up-close viewing of initimate sexual acts equals greater creativity; increasing how many characters in a script are involved in sexual intimacy, on screen, equals greater creativity - in essence, anything that constitutes more “sex” equals greater creativity
creativity equals - more “sex” for the sake of more “sex”
creativity equals - increasingly rob childhood of it’s innocence more by continually putting more sexually suggestive language into movies marketed to children and putting more sexually suggestive language into more child characters in all movies, and continually lowering the ages of child characters who demonstrate an interest in or an intimate knowledge of adult sexual intimacy
creativity equals - more “sex” for more kids
[add your own additions of the obvious ways in which Hollyweird substitutes the coarsening of society for the creativity it does not have]
Hollyweird has morphed the idea that “free speech” meant that certain things COULD BE SHOWN on occasion, to the socially demeaning idea that EVERYTHING MUST BE SHOWN all the time, everywhere and in everywhere possible; that just because free speech makes it POSSIBLE, that means it is NEVER to be left out, and NOT LEAVING IT OUT is what MUST BE DONE.
Hollyweird celebrates the likes of Quentin Tarantino, and the Hollyweird community ranks him as one of their top directors - he, a man who writes and directs movies from the mindset of a violent sexed-up raunchy 13 year old boy (a phase the adult Tarantino never mentally grew out of).