Posted on 10/13/2004 4:39:49 PM PDT by glock rocks
bonk.
Is it possible to file a complaint against them too. Especially since it's Redford and some viacom guy that owns it.
We're not going to be able to go after Showtime or PPV for airing Farenheit 9/11 because it is purely a work of fiction. No equal time is required.
Brit Hume made the Sinclair-Sundance comparison on tonight's Special Report.
I'm sure the dims are aiming for that.
Sinclair has made it clear that they don't care about fines, they're running it anyway.
Brit's comment is what made me curious. Thought I'd share.
I wonder how many homes Sundance reaches as opposed to Sinclair, I get Sundance, I don't watch it. People who get Sinclair don't have to watch it either, it's a choice, like I have, not to watch Sundance.
Liberals are engaged in a battle to save the world from nasty right-wing Republicans. Therefore they are immune from logic, fairness, intellectual consistancy, and the law of gravity. Are you new or something??
(steely)
Thanks John.
Where's the Democratic FCC commissioner's outrage over SUNDANCE. In addition to the Irony of Robert Redford's Sundance for Kerry Network, The irony is the left doesn't see the irony of claiming that Sinclair is abusing the public trust, in a month that saw CBS exposed by Rathergate and ABC issued DNC marching orders to its reporters.
Maybe just an idealistic conflicted born-again South Park conservative :o)
bump!
None of it surprises me.
But I do think the DNC should be inundated with this question....where is their outrage at Sundance??????
HAHAHAHAHAHAHAH.
sorry.
You missed this one
NATIONAL ANTHEM: INSIDE THE VOTE FOR CHANGE CONCERT TOUR
Documentary
Albert Maysles and D.A. Pennebaker have long been considered two of America's most influential documentary filmmakers. In the early 60s, Maysles and Pennebaker were part of documentary movement called direct cinema, which used the new technology of portable cameras to capture life as it unfolded. This technique proved essential in capturing America's burgeoning counter culture, especially as it related to music. In 1967, D.A. Pennebaker shadowed a relatively unknown folk singer by the name of Bob Dylan during a three week concert tour of England for his documentary DON'T LOOK BACK. Three years later, in GIMME SHELTER, Albert Maysles and his late brother David captured the violent reality of the Rolling Stones ill-fated concert at Altamont Speedway. In the tradition of these legendary works, Maysles and Pennebaker unite to take America's social pulse with a new documentary project, "National Anthem: Inside the Vote for Change Concert Tour." This film marks their first collaboration in forty years. Conceived by a loose coalition of musicians six months ago, "Vote for Change" is a multi-city, multi-artist swing-state tour taking place in early October. The "National Anthem" special captures this pivotal moment in US history through informal footage of musicians (including Bruce Springsteen, Dixie Chicks, and R.E.M) and their audiences in intimate moments from the tour. The documentary will be followed by a live broadcast of the final "Vote for Change" concert in Washington D.C. (2004 ) Color (315 mins)
October 11 2004 06:30PM; October 11 2004 11:45PM
soon it'll be the only thing you can watch that's not gobmint approved by either side will be satellite, unill
gobmint catches up to technology.
your point is a good one.
Thank you. I wonder what is the viewership of Sundance vs. Sinclair (in the area Sinclair will be broadcasting Stolen Honor).
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.