Posted on 10/03/2006 7:46:16 PM PDT by paudio
At least she's working her way slowly (judging by those pics)...
Remember how cute Pamela Anderson used to be, now think about the silico-lipo thing she became...
Shakespeare in Love? Amadeus? At no time in human history have dramatizations of historical events been completely accurate to the facts. Shakespeare included.
It makes sense...it means that the subject of the film isn't so much the events she was a part of but what she felt about her situation.
But it also translates something esoteric into a language the Hollywoodheads can understand.
I remember reading that neither Dunst nor Coppola had read anything about Marie Antoinette. They never studied her character or read about her life in any detail. They claim to have based it on Antonia Fraser's biography, but that was only one mere interpretation and not a very well rounded one.
Focusing on invidivuals as opposed to the historical events that surround them has been a mainstay of movies at least since 'Gone with the Wind'. Jane Austen's novels never mention the Napoleonic Wars going on just around the bend.
Marie Antoinette WAS a babe: literally. She was fifteen when she married Louis, and as her portraits show was a delicious bit of Austrian strudel. Her problem wasd that poor Louis was awful in bed, just as he was awful as king.
No, I don't. I reread Tolstoy and acquired a new appreciation of his historical analysis. As a dramatist, he leaves much to be desired, and his views of Shakespeare are ... odd. But War and Peace truly is a tour de force of historical "fiction."
The 'analysis' is actually what most people hate about W&P. The fiction part is just sublime.
In regards to the alleged LET THEM EAT CAKE remark of Marie Antoninette, here is a little historical perspective IN CONTEXT. This by National Review editor -- Jonah Goldberg
SEE HERE :
http://www.nationalreview.com/goldberg/goldberg200402270844.asp
Shouldn't they be aiming at the writers / director / producer / etc.? Actors are just people whose only job skill is to read what other people tell them.
The fiction part is tedious, pedantic, and two-dimensional. The only thing that gives it any depth at all is the backdrop against which it plays out. The characters are little more than cliches representing respective classes of Russo-European society at the time. I read it for the history, and for Tolstoy's somewhat bizarre philosophy of historical development. Oddly enough, it works, although how broadly I can't say. But his insistence that the times are NOT the product of great men, and that great men DO NOT arise from the times, is, to say the least, controversial.
The French government let Coppolla use everything, Versailles...they had carte blanche...and look what they did. Sophia Coppola is tbe most overrated filmmaker of my generation, hands down.
Heck she even single-handedly ruined Godfather III with her alleged acting.
She has geniune a lyrical touch. Her three feature films are all concerned with lonely young women who want to escape their stifling surroundings. She should film Madame Bovary.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.