The moronization of society proceeds apace. As we mentioned on the show, a bigshot New York Times correspondent thinks that playing "Edelweiss" at the White House is some kind of Nazi dog-whistle to Trump supporters. It is tragic and profound the way even small artifacts of our inheritance get trashed in these witless arguments, so, if you want to know the real story of the very last song in the Oscar Hammerstein catalogue, here's what I had to say a couple of years back: Not long after Rodgers & Hammerstein wrote the song, Theodore Bikel was leaving the theatre when...