Free Republic

Even after making a left-wing turn, pop megastar Taylor Swift once again finds herself the target of the woke masses Wednesday night after a performance of her’s that many thought ripped off Beyoncé. During Swift’s performance at the Billboard Music Awards Wednesday, Taylor Swift used a marching band drum line and stood in a signature pose, leading many viewers to compare her performance to Beyoncé’s 2018 Coachella appearance. (VIDEO) ME! (feat. Brendon Urie of Panic! At The Disco) by Taylor Swift (Live From The Billboard Music Awards)One social media user posted a photo to Instagram comparing the two performances: ....Debates...

Adam Lambert aimed for the kind of controversy Britney Spears and Madonna are known for generating, completely stunning the audience at Los Angeles’ Nokia Theatre and the millions watching the American Music Awards live on ABC. Glambert definitely delivered on his promise of a “sexy” performance as he closed the live show with simulated oral sex from a male backup dancer, a brief make-out session with his male keyboardist and a giant mirrored prop so the audience could see the looks on their own shocked faces. Rolling Stone has learned that producers weren’t informed about the guy-on-guy kiss in advance,...

Kanye West rushes the stage while Taylor Swift was thanking people for her award for “Best Female Video”. He says “I’ll let you finish, but Beyonce had one of the best videos ever.” The audience started booing Kanye. Boo! That has got to be one of the most disrespectful acts I have ever seen on live TV. What a disgrace Kanye. Boo! Boo! Boo! Although: I bet Kanye West does the Single Ladies dance at home and couldn’t stand the idea that Beyonce lost. Watch the video by clicking above link.

FLASH -DICK CLARK AMEIRCAN MUSIC AWARDS FLOP 9.3/13 RATING (where Sheryl Crow made the anti-war statement)LOWEST AUDIENCE IN ABC HISTORY OF THE SHOW (DOWN FROM 11.5/17 IN 2002)FINISHES IN 3RD PLACE FOR THE NIGHT, DWARFED BY FOX'S 'JOE MILLIONAIRE' 12.8/18 , CBS EVERYBODY LOVES RAYMOND 10.1/14