Posted on 12/30/2012 7:05:20 AM PST by CHRISTIAN DIARIST
I first caught the musical Les Misérables back in 1987, when it made its U.S. debut on Broadway. My lasting memory of the Tony Award winning production, which enjoyed the third-longest run on the Great White Way after Cats and Phantom of the Opera, is that much of the audience wept through Act II.
As Les Miserables appears this holiday season on movie screens throughout the country, featuring the vocal talents of actors Hugh Jackman, Russell Crowe, Anne Hathaway and Amanda Seyfried, among others, I now think the musical decidedly spiritual entertainment.
Its not that Les Miz has changed since it moved from stage to screen; that the storyline, which is based on Victor Hugos classic novel, has been reworked to appeal to Christian evangelicals, in a crass Hollywood attempt to capture the movie-going audience that made Mel Gibsons Passion of the Christ a box office sensation.
No, what has changed in the 25 years since I saw Les Miz on Broadway is that I am today a re-born again Christian. Indeed, in my young adult years, I ventured away from the faith life of my childhood and early adolescence. But after getting married just before the turn of the millennium, I restarted my walk with the Lord.
I see in the story of Jean Valjean, the hero of Les Miz, a journey of redemption with which all of us can identify who have strayed from The Way, only to be rescued from our sin-sick lives by Christ, our Savior.
After his parole from prison, to which he originally was sentenced for stealing bread for his starving sister and her family, Valjean is provided food and shelter by a kindly bishop. The ex-con returns the kindness by stealing the bishops silver.
Valjean is caught by the authorities and brought before the bishop. But rather than confirm the ex-cons theft, the bishop tells the authorities he gifted the silver to Valjean.
That act of Christ-like grace persuades Valjean to become an upright man. So he changes his identity and starts a new life, eventually building a successful business and even ascending to mayor of the town in which he leads an exceedingly abundant life.
But that is not the end of the story. Valjean does not live happily after. As every Christ follower knows, just because we are born or re-born again does not mean there will not be times that try our souls.
In Valjeans case, when he changed his identity, when he began his life anew, he violated his parole. He was hunted through the years by a determined police inspector, Javert, who vowed to find and re-imprison Valjean.
As it happens, Valjean learns that a man believed to be him has been arrested. It presents an opportunity to Msieur le Mayor to be free of Javert once and for all. It is the kind of snare Satan often sets before us to get us to fall away from our Christian principles.
Valjean struggles with what to do.
Who am I? he asks himself, in one of the best-known musical numbers from Les Miz. Can I condemn this man to slavery? Pretend I do no feel his agony? Must I lie? How can I ever face my fellow men? How can I ever face myself again?
In the end, Valjean makes the hard choice; the right choice.
My soul, he sings, belongs to God, I know. I made that bargain long ago. He gave me hope when hope was gone. He gave me strength to carry on.
So what else could he do? Valjean revealed his true identity, saving an innocent man from wrongful imprisonment.
Valjeans act of self-sacrifice was extraordinary. But to those redeemed by the blood of the Lamb, the extraordinary is made ordinary.
I wouldn’t see it if you paid me. Why ruin perfection(saw the play twice,,once in London) by having to pretend that you aren’t watching familiar Hollywood faces usurp the roles of the original London cast?
Colm Wilkinson is Jean Valjean, not Hugh Jackman. Sierra Boggess is Fantine, not the liberal loudmouth, Anne Hathaway.
No thanks. I won’t give my money to these anti American leftists.
Besides, I heard that the movie sucked with a heaviness that never lets up throughout.
The music of Les Miz is fantastic so get the CD of the original production and play it nonstop for a year or two like I did.
Whether you understand it or not The Hobbit is Christian allegory (as is true of all of Tolkien’s work much like Lewis and The Chronicles of Narnia). I much prefer the book to the ridiculous musical that Broadway cobbled together for Les Miserables. The musical still spends too much time glorifying the French Revolution which in its very nature was communist and driven by class warfare.
Django Unchained....bleeech why bother
found the plight of the poor fascinating in the picture....
America’s people at the “poverty” level have NO idea what poor is.....
I gave a copy of the Tenth year anniversary concert to my daughter for Christmas. She has always identified with Cossette since we adopted her from a bad situation when she was 3 1/2. She was thrilled.
But I’ll probably go to the movie. I love seeing, hearing, reading a favorite work in many different formats. It only enhances the experience.
If you think English actors aren’t leftists, you’re kidding yourself.
To me, the essence of any show is in its script and music, not in the performers of the moment.
I am reflexively suspicious and skeptical of anything that receives the praise of the OFM (Obama-fellating media) and tend to avoid it. However, Mrs. Bears dragged me to see this production. The underlying Christian message was evident to me early on. This has likely been missed by the Left in their rush to embrace the “revolutionary” portion of the story.
Les Misérables, said Chambers, taught him Christianity, although he "scarcely knew it," and gave him his "first full-length picture of the modern world--a vast, complex, scarcely human structure, built over a social abyss of which the sewers of Paris was the symbol, and resting with crushing weight upon the wretched of the earth."
I think anyone that’s read it, realises that.
Christian parable? Hogwash. I read the book years ago, and the one of the things that stuck in my mind was Victor Hugo’s repeated insistance that the problems of the poor would be wiped out once universal education was established. He mentioned several times that all of the ills that befell Jean Valjean were a direct result of his lack of the ability to read. Victor Hugo, as the narrator, used his story to push a “social justice” agenda.
Yes, and as an Oxford philologist, Tolkien knew what allegory was. I would say that "allegory" isn't really the right world to describe his works; better to say that they had strong Christian themes.
As a “Les Mis” aficionado I approached the movie with great trepedation. Check out the reigning Jean Valjean- Alfie Boe on you tube singing “Bring Him Home” at the 25th Anniversary concert or at this year’s Mormon Tabernacle Choir Christmas concert-and you will hear near perfection-so how Hugh Jackman would compare was problematic.
So I was presently surprised that I enjoyed the movie-the theatre was 2/3 full, and for two and one half hours the movie ran there was barely a movement from the audience. The oft criticized close ups during the musical solos actually amplified the emotions of the songs-the advantage of having actors singing rather than having singers acting. You could hear the weeping on many numbers. Overall a pleasant surprise.
As a “Les Mis” aficionado I approached the movie with great trepedation. Check out the reigning Jean Valjean- Alfie Boe on you tube singing “Bring Him Home” at the 25th Anniversary concert or at this year’s Mormon Tabernacle Choir Christmas concert-and you will hear near perfection-so how Hugh Jackman would compare was problematic.
So I was presently surprised that I enjoyed the movie-the theatre was 2/3 full, and for two and one half hours the movie ran there was barely a movement from the audience. The oft criticized close ups during the musical solos actually amplified the emotions of the songs-the advantage of having actors singing rather than having singers acting. You could hear the weeping on many numbers. Overall a pleasant surprise.
There is a Christian message in the unabridged book; it’s the story of the Catholic priest. Unfortunately, what you find in the book store is an abridged version that edits out the section on the priest, among other things.
Yes, Tolkien rejected simple minded allegory, where this stands for that, and so forth. He thought that C. S. Lewis was too obvious, with figures like the lion in his children’s fantasies.
But he didn’t reject the basic Christian principles that underlie his fantasies. For instance, the Silmarilion is not based obviously on the story of Adam and Eve and the serpent, but when you reach the last sentence it becomes evident that you have read a version of the story of the Fall.
I tend to agree with you. My MIL saw this on Christmas and wants hubby and I to go see it. I saw the musical myself in Boston many years ago, I was a teenager at the time so while enjoying an outstanding performance I am not sure how much I actually got out of the message.
That being said I have no intention of seeing this in the theatre. I really loathe the hollywood set and their liberal/communist pablum that the sheeple populace eagerly laps up. Truthfully they wouldn’t know a christian message if Christ himself in the flesh was explaining it to them. They do however long for a communist revolution that would create the desired “utopia.”
I had the same reaction - if I was could redo the federal welfare state, I would eliminate food-stamps and most other forms of welfare and give the "so-called poor" a copy of this movie to watch.
What an elegant response you gave, “I love hearing, reading a favorite work in many different formats. It only enhances the experience.” And that it was! I saw the stage production twice and have the original cast recording to listen to but I thorougly enjoyed the movie for all the extras movies can give.
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