Posted on 07/18/2015 3:27:50 PM PDT by EveningStar
Structurally speaking, GWTW is an “epic”.
Within the epic, “romance” was used as a plot device, not as the main theme; and as I explained, it was an excellent vehicle for her subject matter.
Oh and I forgot to mention Selznick was consciously trying to “top” Birth Of A Nation with GWTW; I was only speculating on how he might have felt about the silent film’s overt racism.
With that in mind, you could have called GWTW “Death of a Nation” because that’s its main theme... the death of the Old South.
I agree with most of what you say. Thanks for the ping.
I agree. It really wasn’t, to me at least, a romance. There far to many facets involved. The movie focused more on the romance.
The fact that MM wrote such a book is a huge accomplishment. Not because I consider her a substandard writer. Quite the contrary. But because the research had to be monumental and tedious at that point in time.
Though even the most religious today don’t recognize it, Mitchell titled “Gone With The Wind” about the death of the Old South as a literary allusion to Proverbs 103:16
http://biblehub.com/psalms/103-16.htm
“For the wind passes over it, and it is gone; and the place thereof shall know it no more.”
That’s interesting, Sontagged. Thank you!
TY2
:)
I didn’t know that, thank you.
How appropriate.
Thank you for your family anecdotes. They are interesting.
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