Carroll Dunham (born 1949) is an American painter who lives and works in New York and Connecticut. Working since the late 1970s, Dunhams career reached critical renown in the 1980s, a period during which many artists returned to painting. He is known for his conceptual approach to painting and drawing and his interest in exploring the relationship between abstraction and figuration.
Of his body of work, Johanna Burton writes, "Dunhams career can be characterized by its rigorous indefinability, as his works dip freely into the realms of abstraction, figuration, surrealism, graffiti, pop, even cartoons, without ever settling loyally into any one of them." David Pagel, in a Los Angeles Times review intended to be complimentary, described his paintings as "vulgar beyond belief... It's easy to see why many people find them offensive, demeaning and disgusting, as well as mean-spirited, malicious and horrific. They are all that and more."....
..Between 1981 and 1987, Dunham worked directly on wood veneer, employing multiple types of plywood and various, ever more exotic veneers, including elm, oak, pin, and rosewood. Often responding to the natural grains of the wood, Dunham created vibrant compositions that frequently combine geometric and organic, anthropomorphic forms. In discussing this body of work, Ken Johnson writes, "What these paintings add up to is a kind of delirious, barely contained psychic pluralism. Various dualities and contradictions play out: between wood and pain; abstraction and representation; geometry and biology; the phallic and the vaginal; body and mind; nature and culture."
Towards the late 1980s, Dunham began to work with more singular motifs. Among the recurring figures in his work are wave-like forms, hatted male figures in a variety of settings, trees set in pastoral landscapes, and nude female bathers.....Source
I’ve seen some of his paintings, for the most part they’re crude renditions of vaginas.
Translation: Total crap but the nature of the artist's detailed explanation has enamored him to the artistically challenged libtards who support this sh$t..........