Posted on 05/06/2006 12:03:25 PM PDT by Chi-townChief
If I remember correctly, she even looks a bit like Edie Falco!!
I LOVE Deadwood, although it did take a bit of time. It's an acquired taste. But you're right, alot of HBO series now is the SOPRANOS with different accents and scenary...DEADWOOD (Sopranos in the old west), ROME (SOPRANOS in ancient times)...etc.
I've been watching "Deadwood" on DVD, and have to wonder just why that show was ever made. To me it looks like either the creator hates the era he's depicting, or he loves it for perverse reasons, that it's hard to share.
I haven't seen Deadwood, but I love westerns. Like jazz, rock and roll, etc. they are an American artform. As such they evolve. You can pretty much imprint anything on a western you want. Discuss any topic in American life or American mythology...
You've got that right. My wife and I keep watching this final season sitting through the turgid episodes hoping something will happen. Usually nothing does. There's absolutely no tension in any of the scenes. Why isn't anybody wondering what happened to Adriana? All we're getting is Vito the homo stories and Tony Jrs. drug life. Where the heck is Paulie Walnuts? Oh yeah, he had a story about his mother who was really his aunt. Why aren't we getting more stories about Phil Leotardo, with sanctions from Johnny Sac, challenging Tony's empire? Did creator David Chase simply phone these stories in?
Most east coast/CosaNostra types I've bumped into have remarked that had a good guy been known to be layin around down by the river with another fellow rubbed his chest, he'd soon be known as that guy lying down by the river.
Right. Thanks. BTW the Polish Pope ordered him to quit politics.
Funny stuff, I'd like to see a non violent version of the mafia!
He is Stugots!
I am FBI, Sicilian in fact, and I agree 100%. I have often said that if I had to compose a self serving stereotype, it would look a lot like the Italian/Gangster stereotype. Many Italian American's don't mind it at all, and indeed ham it up a bit.
I have never been bothered by the stereotype at all, notwithstanding my looks, downtown Manhattan pedigree, and notorious family surname.
Chicks dig it. ;-)
It's said that there's such a code in "The Godfather," and you can see it there, at least in the first movie of the series. Whether it's still there in "The Sopranos" is harder to say. Sure, Tony couldn't have his crew find out that he was in therapy and everybody still hates a rat, but I wonder if he and the others have broken an awful lot of the code of honor. You could view a lot of the episodes as "morality plays" in which characters struggle not with the outside society's strictures about what's right and wrong, but with the code of the mafia and their own inclinations, but a lot of the series seems to be saying that Vito Corleone's world, real or legendary, is gone.
LOL!! I can totally see that.
I watched it for about 5 minutes once, total garbage.
I'd prefer to just sit in a room with no tv and pray.
This "Sapranos" "Desperate Housewives" and "Jerry Springer" are all cultural rot.
David Milch, the creator of "Deadwood," has quite a foul mouth. He's interviewed on the DVD, and your theory fits. Like everyone else in Hollywood he wants to be a "rebel" and an "iconoclast," but he only succeeds in sounding like a typical movie industry pseudo-tough guy.
Milch is a very bright guy, too, but his characters don't come to life as much as those on "the Sopranos" or "Six Feet Under." They feel more like intellectual constructs than like real people, at least to me. Whatever else one thinks about the Sopranos, the first seasons brought something new to television and had a feel of authenticity.
In my early teen years, I was rapt by an edited-for-television presentation of Sidney Lumet's fact-based masterpiece Dog Day Afternoon, starring young Al Pacino as a flaky NYC bank robber whose plan goes awry, transforming him into a hostage-holding ringmaster in a media circus covered live.
SPOILER! SPOILER! SPOILER!
Negotiations to fly him and his remaining partner out of the country with the money seem like they are going to come to fruition, but his gunman is shot in the head and he is captured alive. When that happened, I realized that I actually was rooting for them to get away with the money.
Years later, I was watching a movie called Charlie Varrick in which I got suckered into rooting for another bank robber to kill a mob hit man. That did it for me. No more will I knowingly watch "entertainment" that asks me to pick one criminal over the other.
I watch movies for escape, and there's no escape in watching bad guys battle it out to see who earns the right to screw decent people. If I wanted that, I would just watch the news. If there's no good guy with a chance of conquering all, I ain't watching.
And Andrew Greeley glorifies heresy.
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