1 posted on
09/19/2016 5:47:49 AM PDT by
simpson96
To: trisham; hoosiermama; Dawgreg; OddLane; Fiji Hill; Chgogal; originalbuckeye; ...
2 posted on
09/19/2016 5:48:13 AM PDT by
simpson96
To: simpson96
Pretty Poison, 1968.....her and Tony Perkins....two actors very good at portraying crazy people. :0)
3 posted on
09/19/2016 5:49:28 AM PDT by
Gaffer
To: simpson96
She was so beautiful.
Dobie Gillis” always trying to impress her. She always had some excuse because of her famlly etc. She also told him how mean she was.
4 posted on
09/19/2016 6:05:55 AM PDT by
yarddog
(Romans 8:38-39, For I am persuaded.)
To: simpson96
There's a name flame from the past...
7 posted on
09/19/2016 6:28:56 AM PDT by
moovova
(I'm in the basket for Trump.)
To: simpson96
I can’t believe I never heard of it before. But after listening to the first minute, I see why.
8 posted on
09/19/2016 6:39:40 AM PDT by
sparklite2
(The game overs whether you play it or not.)
To: simpson96
Introduce me to that big blonde
She's got a touch of Tuesday Weld
Donald Fagen, 'New Frontier'
10 posted on
09/19/2016 7:04:28 AM PDT by
real saxophonist
( YouTube + Twitter + Facebook = YouTwitFace.com)
To: simpson96
Actress:good. Singer:really bad.
13 posted on
09/19/2016 7:43:20 AM PDT by
CaptainK
(...please make it stop. Shake a can of pennies at it.)
To: simpson96
I don’t even care that she can’t sing. She was probably better than many of these auto-tune wonders we hear today. There have to be about 50,000,000 guys from the late 50’s to early 60’s that fell in love with Tuesday Weld. I was definitely one of’em. ;o)
18 posted on
09/19/2016 9:25:15 AM PDT by
Liberty Valance
(Keep a Simple Manner for a Happy Life :o)
To: simpson96
"Are You the Boy?" is from 1962, not 1960--I could tell that immediately from the sound, which is similar to
Any Day Now by Chuck Jackson (1962).
"Are You the Boy" didn't chart, and I had never heard it before, but I certainly enjoyed it.
19 posted on
09/19/2016 12:48:54 PM PDT by
Fiji Hill
(Io Triumphe!)
FreeRepublic.com is powered by software copyright 2000-2008 John Robinson