Posted on 08/26/2004 11:43:38 AM PDT by Wallace T.
There is a great deal of pop cultural analysis that blames the Baby Boomer generation for the ills that plague American society. I believe that this analysis is as faulty as the perception that Jews were the cause of Communism. Rather, the culture wars that started in the 1960s are the outward manifestation of intellectual movements that began over 200 years before the Berkeley "Free Speech" movement or Woodstock.
With regard to the sexual revolution, it was the 1960s and 1970s when promiscuity, no fault divorce, abortion on demand, etc., became widespread in American society. However, that revolution did not occur in a vacuum. Since the Enlightenment of the 18th Century, a substantial portion of Western intellectuals rejected the concept of divinely ordained and immutable standards of right and wrong. In the 19th Century, the rise of the higher criticism movement caused many theologians to doubt the inspiration of Scripture. Higher criticism helped to spawn liberal Protestantism, which by 1960 had dominated most of the largest mainstream denominations in America. If "thou shalt not commit adultery" was the invention of man and not the command of a transcendent God, then a new basis had to be found for a social order. Humanists found this basis in what Rousseau called the General Will, that is to say, the the separate wills, rights and desires of each member of a society brought together as a single unit, which is to be governed by representatives of the people to achieve the common good.
However, the question arose as to whether Judeo-Christian sexual morality was truly for the common good. The rise of Sigmund Freud, with his emphasis on sexuality and repression, as the dominant figure in the then-new field of psychiatry, was an important factor in toppling taboos regarding sexuality. Feminists such as Margaret Sanger promoted birth control and abortion, as well as liberalized divorce laws, to "free" women from the "bondage" of housework and child care. The former entymologist turned sex researcher Alfred Kinsey promoted both the belief that non-monogamous sex, especially homosexuality, was far more widespread than it actually was. His sexuality studies, released in 1948 and 1954, were widely read and powerful arguments in favor of looser moral standards.
All of these advocates of the loosening of the Biblically based codes of morality needed both popular outlets to disseminate their position. Popular novels became increasingly lurid. Hugh Hefner and Helen Gurley Brown arose for their respective sexes as advocates of sexual freedom, through their respective magazines, Playboy and Cosmopolitan. By 1966, both Catholic and Protestant watchdogs of Hollywood movie production were disbanded. Emboldened by their disappearance and loosening moral standards, the film media promoted sexual amorality and freedom without consequences. Popular music was not exempt. Even in the Big Band era of the 1940s, sexual innuendo was rife, as it was in the jazz from which Big Band music derived. The rise of rock music, derived in part from the blues, performed by black underworld figures who mimicked Gospel music and in part from Anglo-American "honky tonk," glorified blatant sexuality.
Political support was needed for overturning older laws usually based on common law precedents drawn at least partially from Biblical precedents. The rise of positive law, that is, law based on the changing needs of society rather than immutable principles, was championed by the influential American jurist Oliver Wendell Holmes, Jr., and his philosophical heirs such as Felix Frankfurter and Earl Warren.
The political left, both Marxists and democratic socialists, had had a symbiotic relationship with those who favored sexual liberation. The Greenwich Village district of New York City was America's foremost center of "avant garde" ideas in the early 1900s, where Communists like John Reed rubbed shoulders with playwrights like Eugene O'Neill and novelists like F. Scott Fitzgerald, as well as feminists like Margaret Sanger. While Soviet Communism developed a puritan-like strain relative to sexuality, other Marxists belived that sexual freedom was a means to overturn bourgeois society and that restraint in sexual matters was a tool of repression by the ruling class. This was an aspect of the cultural Marxism espoused by the Italian Communist Antonio Gramsci.
Marxist intellectuals such as Theodore Adorno, Hannah Arendt, and Herbert Marcuse came to America in the 1930s one step ahead of the Nazis. They found their way into prestigious academic positions, whence they preached this Gramscian version of Communism. In particular, Marcuse was the godfather of the New Left, which encouraged the growth of the hippie movement and created the anti-Vietnam war movement, which helped subvert American will in that war, leading to the first war this nation lost. This New Left movement is where Bill Clinton, Hillary Clinton, and John Kerry first became involved in politics.
Until the last sentence, I have listed no person who could be considered a Baby Boomer. I did list two members of the G.I. Generation (Hugh Hefner and Helen Gurley Brown). Virtually all the others discussed were born in the 19th Century or earlier. Some, like Oliver Wendell Holmes and Antonio Gramsci, were dead well before V-J Day. The sexual revolution did not spring one day in 1961 from the dirty jokes of Lenny Bruce, the permissive child rearing books of Benjamin Spock, or the swiveling hips of Elvis Presley. Rather, it was the result of intellectual movements dating to the 18th Century and earlier that attempted to "liberate" society from the bondage of "superstitions" based on the Bible and Western tradition.
The culture wars that have been ongoing since the 1960s will not be won until the conservative opposition recognizes that merely repealing bad Supreme Court decisions or ensuring continued GOP control of the Presidency and Congress are not enough. The long march of secular humanism and statism must be ended by defeating the Left in the intellectual arena. The "ivory tower" sneered at by some conservatives is the control tower for society. The ivory towers, such as the prestigous universities, most of the think tanks, most of the tax free foundations, and even a large portion of the Fortune 500 board rooms, are in the hands of the enemies of traditional, Biblically based values and limited government. The battle for America will not be won until those ivory towers are no longer in the hands of liberals and secular humanists, irrespective of their age.
ping
That sentence (and a few others), Wallace, renders your whole essay into a load of crap. Deep thought is truly, not your forte`.
Ping list for the discussion of the politics and social aspects that directly effects Gen-Reagan/Generation-X (Those born from 1965-1981) including all the spending previous generations (i.e. The Baby Boomers) are doing that Gen-X and Y will end up paying for.
Freep mail me to be added or dropped. See my home page for details and previous articles.
For a look at the nature of Boomers and their influence on the rest of society, I believe that the horrible Viagra ads on television are pathognomonic (sorry, that's just the right word - it means distinquishing characteristic of a disease).
I did not go to medical school to write performance boosters for healthy late 30-somethings (with perfectly normal functioning by history) and to explain to a 69 yo morbidly obese man with diabetes whose heart stopped 3 years ago - neither of whom is married - why Viagra is not appropriate for them (Mainly because it won't make a difference except risk side-effects) It cuts me to the quick to tell a 65 yo who just had radical prostate surgery that it will not help him and his wife and to try to discuss "other ways" with him. (And we still don't have anything more effective that the old myth of a Coke and aspirin for women who aren't in the mood or don't want to learn "other ways.")
End Rant
The musicians that entertained the Boomers were often pre-Boomer themselves: the Beatles, the Grateful Dead, and the Rolling Stones, for example. The political leaders admired by large numbers of Boomers, whether liberals like Robert Kennedy and George McGovern or radicals like Abbie Hoffman and Ramsey Clark, were men of the Silent or G.I. Generations. Indeed, many, if not most, of the leaders of the New Left of the 1960s were "red diaper babies," sons or daughters of Communist or other leftist families who were immersed in Marxist and materialist dogma from childhood.
The New Left and the cultural revolution have deep roots dating well before the G.I.'s returned from Europe and Asia to raise families.
I beg your pardon , but that concept is a bit conspiratorial.
But you're not the first person to believe that music was more than it actually was. After the battle of Culloden, Scotland in 1746, the English banned the Bagpipe and the Kilt as influencing the Scots to violence towards the English. In the "Act of Proscription", the English made it a capital crime to be found with or playing a bagpipe or wearing a kilt. Now, the Queen has her own "Piper", in ready at Buckingham or Balmoral and I have played "Amazing Grace", on the bagpipe in church, more times than you have sung it!
You're not the first to mistake ubiquity for causality. And sadly, you won't be the last.
Moreover, your indictment of "The Age of Enlightenment" as the beginning of our troubles is beyond serious ken. How dare you, Sir! Until Hume, Bacon and Locke, the only men considered close to God were Kings and Popes. The Enlightenment rendered this concept of the "Divine Right of Kings" to be as bogus as your interpretation of music and history.
When you're King, what, by your divine right as you see it, are you going to ban?
Now that's a statement I can hang my hat on. Especially if you mean the Eastern European immigrants that came to the US prior to the Russian Revolution of 1917. Many of these immigrants were socialists and Marxists and were bent on fomenting the unrest that preceded the revolution in Russia. They felt that they had missed the boat at home and began to link up with their soviet cousins to turn the US into a satellite of Moscow. Michael Newdow, of "God in the Pledge" fame, is a descendent of one of these Marxists. His agenda, knowing this fact, is not surprising.
I am much more interested in the socialist/communist influences in the State Department, like Algier Hiss and Treasury, like Harry Dexter White, than I am on the coincidence of the rise "Righteous Brothers" and un-wed mothers.
Such as?
But there is a fundamental difference in the respective causes symbolized by bagpipe music and rock music. Scottish independence from from English domination was a just cause and a moral one. Advocating removal of American military and political power from engagement with the Communist powers and supporting the overturning of Christian and Western moral codes and Constitutional government were neither just nor moral.
Try "Honky Tonkin'"
I suppose one could conclude the above. But it was treason to the English. In reality, the Jacobites fought for one king over another, not real "Liberty". Furthermore, I don't need a history lesson on the bagpipe or Celtic peoples, since I teach the blasted bags and still have kith in Scotland and kin Ireland. I have known the Celtic history of both since a youth. If the Scots weren't already mad at the English, then the only thing a piper could do would be to play music that might cause people to feel like dancing. The pipes do not induce war in the otherwise placid.
I will however, admit that as far as rock music is concerned, its appeal for me died with the drug use and the Vietnam War. But I don't think it is rock music that causes communism any more than I think that church hymns cause chastity. I think you are stretching for a conclusion that does not exist.
A more realistic conclusion for an essay on the turmoil of the 60's would be that the "Red Diaper Babies" had finally graduated, en-mass, from college. Their fathers political actions had been restrained in the 50's by blue collar jobs and fear of McCarthy (who was right). As well, the "Free Speech", Civil Rights and the ACLU's movement came of age in the 60's, prodded on by agents of the Soviet Union recently freed from Stalin. The music, whatever form it took, was just there.
Advocating removal of American military and political power from engagement with the Communist powers and supporting the overturning of Christian and Western moral codes and Constitutional government were neither just nor moral.
Agreed. But the real reason most of the kids advocated the song sung by the left was that they just did not want to die in Vietnam. It's hard for a 19-25 year old man/boy to admit he's scared to die, so he makes up a high moral excuse. I know about that too. I was drafted in 1967. I spent 6 years in the Army and 2 in the Nat. Guard. Therefore, I find your desire to blame the moral decline of the USA in the 60's and 70's on some such complex phenomena as a colusion of Age of Enlightenment and Rock Music a bit perverse (actually the music of the communist was folk music, not "rock"). But methinks, youthinks too much about too little. In reading your essay, it's no wonder that the Left thinks that conservatives are crazy. I have doubt about you, myself. My conclusion, based on the subjects of your essay, is that you don't know how to dance.
BTW, my parents were acquainted with Hank Williams, as they were Leonard Sly, better known as Roy Rogers. My father referred to Williams as a severely un-happy man. Today we would call it depression. Why don't you leave judgement up to the almighty and try a shot at helping your fellow man, rather than condemning him with your bogus theories.
Such as?
Try "Honky Tonkin'"
OK!
HONKY TONKIN'
Words and music by Hank Williams, Sr.
When you are sad and lonely and have no place to go
Call me up, sweet baby, and bring along some dough
And we'll go Honky Tonkin', Honky Tonkin'
Honky Tonkin', Honey Baby
We'll go Honky Tonkin' 'round this town.
When you and your baby have a fallin' out
Just call me up sweet mama and we'll go steppin' out
And we'll go Honky Tonkin', Honky Tonkin'
Honky Tonkin', Honey Baby
We'll go Honky Tonkin' 'round this town.
We're goin' to the city - to the city fair
If you go to the city then you will find me there
And we'll go Honky Tonkin', Honky Tonkin'
Honky Tonkin', Honey Baby
We'll go Honky Tonkin' 'round this town.
My God, you're kidding! You find sordid sin and flesh pot shenanigans in this late 1940's favorite? I'll admit it's not Mozart, but it's not Tupac Shakur, either. Quite frankly, I don't think you have ever heard or seen the lyrics of "Honkey Tonk".
There is a long gap of over two centuries between the French philosophes and the leftists of the 1960s antiwar movement who later cut their hair, shaved their beards, and put on suits and ties, the better to penetrate politics, academia, the tax-free foundations, and think tanks. We did not go directly from the French encyclopedists to the Beatles. However, there is a common thread of philosophy and worldview that links the ideas of Rousseau and Voltaire to the leftists of our day. Ayn Rand, in her commentary on the "Free Speech" movement at Berkeley in 1964, noted the same continuity. She titled her observations, "Mario Savio, Son of Immanuel Kant."
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