Posted on 10/25/2020 1:08:55 PM PDT by Borges
There will be a time when well go to concerts again. We will buy our tickets, shuffle shoulder to shoulder down the aisle, and find our seats. The lights will dim, and the conductor will walk onto the stage to introduce the program. They might talk about Beethoven, Schumann, and Bartók. And they might talk about Alma Mahler, Florence Price, Henry Burleigh, and Caroline Shaw. Many of us, used to the conventions of classical performance, will hardly notice the difference: traditional white male composers being introduced with only surnames, full names for everyone else, especially women and composers of color.
The habitual, two-tiered way we talk about classical composers is ubiquitous. For instance, coverage of an early October livestream by the Louisville Orchestra praised the ensembles performance of a Beethoven symphony, and the debut of a composition memorializing Breonna Taylor by Davóne Tines and Igee Dieudonné. But ubiquity doesnt make something right. Its time we paid attention to the inequity inherent in how we talk about composers, and its time for the divided naming convention to change.
(Excerpt) Read more at slate.com ...
Much Ado About Nothing.
If you want a real sign of failure, I give you Wolfgang Amadeus Mozart. Three names and who’s ever heard of the guy?
Rock me, Amadeus.
Wolfgang Amadeus Mozart
Ludwig van Beethoven
And he never even used “Amadeus” except as a joke.
True. But they’re generally talked about as a group. And usually the relationship isn’t even mentioned. They’re the Brontes. Their works are Bronte works. It’s usually only when somebody is getting into comparisons of them that anybody bothers with more than that.
I knew I was leaving a loose thread on that. Thanks
“Elvis Costello is stuck with using his full name.’
And Elvis Andrus has to go by “Big Bear.”
“What difference does it make” lololololol
yucky cultural marxism
You left out Goobershnott, from the Phlemish side of the family
Twas tongue and cheek. Although I am a redneck, I even know Nickolai, Dmitri, and Sergei.
“What difference does it make” lololololol
yucky cultural marxism
Carson, Letterman, Leno, Ruth, Gehrig, Koufax, Reagan, Obama, Melville, Twain, Poe, Vonnegut, Patton, Sherman, Rommel, Grant, Lincoln, Washington, Jefferson, Dracula
Just off the top of my head
In Heaven, looking down on lesser composers - hoping for the best, but knowing from experience that the pygmies, even his own kids, on his shoulders don't stand a chance.
What a waste of time.
Well the name he was born with was
Johannes Chrysostomus Wolfgangus Theophilus Mozart
apparently Amadeus was a calque of Theophilus (God-loving)
Bach walks into the downtown Leipzig welfare office, trailed by 18 kids.
LEIPZIG SOCIAL WORKER: Wow, are they all yours?
BACH: Yep, they are all mine, I've heard that question a thousand times before.
LEIPZIG SOCIAL WORKER: Well, then you must be here to sign up. I'll need all your children's names.
BACH: Thats easy. To keep it simple, the boys are all named 'Bach' and the girls are all named 'Bach'.
LEIPZIG SOCIAL WORKER: (stares in disbelief) Are you serious? They're all named 'Bach'?
BACH: Yes - it makes it easier. when its time to get them out of bed and ready for school, I yell, 'Bach!' and when it's time for dinner, I just yell 'Bach!' and they all come running. And if I need to stop the kid who's running into the street, I just yell 'Bach!' and all of them stop in their tracks. It's the smartest idea I ever had, naming them all 'Bach'.
LEIPZIG SOCIAL WORKER: (thinks this over for a bit, then wrinkles her forehead) But what if you just want one kid to come, and not the whole bunch?
BACH: Then I call them by their first names.
Fabulous baritone
One of the leading composers of the day, Gustav Mahler,composer of Das Lied von der Erde and other light classics, one of the leading architects, Walter Gropius, of the Bauhaus School of Design, and one of the leading writers, Franz Werfel, author of the Song of Bernadette and other masterpieces.
Its people like that who make you realize how little youve accomplished. It is a sobering thought, for example, that when Mozart was my age, he had been dead for two years.
It seemed to me, on reading this obituary, that the story of Alma was the stuff of which ballads should be made. So here is one."
Tom Lehrer
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