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Posted on 10/21/2016 6:02:18 PM PDT by AZamericonnie
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Here is a list of the songs in the Jukebox:
Artist/s - Song Names:
Indio El Sonero - Las Caraquenas
Indio El Sonero - Un Cigarrito Y Un Cafe
Indio El Sonero - Vamonos Pal Monte
Isbel Cana Y Ron - De Medio Lado
Isla Caribe - Algo Mas Del Son
Isla Caribe - Ay Abuela
Isla Caribe - Mi Sentimiento Por La Musica
Jose Conde Y Ola Fresca - Cafe Con Sangre
Jose Conde Y Ola Fresca - Descarga Ines
Jose Conde Y Ola Fresca - El Chacal
Juan De Marcos - 1332211185
Juan De Marcos - Adivinador
Kim De Los Santos - Cada Dia Mas
Kim De Los Santos - Pensaste Que Habias Ganado
King Bongo - Aja Y Que
King Bongo - Cumbia Boogaloo
King Bongo - El Negro Bembonmaquinolandera
La Banda Salsa - Descargala
La Corporacion Latina - De Regreso
La Exclusiva - Recordame
La Exclusiva - Rico Sin Son
La Exclusiva - Xiomara
Los Renuentes - Funk Montuno
Los Renuentes - Rio Piedras Me Arde
Luis Alberto Flores - Chonga
Luis Alberto Flores - Hong Kong Mambo
Luis Alberto Florez - Al Son De Boogaloo
Luis Ogando - Tanto Que Me Duele Wpa
Maikel Blanco Y Su Salsa Mayor - Brujeria
Maikel Blanco Y Su Salsa Mayor - Lo Bello Por Dentro
The New York Sextet - La Carcel
The New York Sextet - Tostao Y Colao
Victor Hugo - Havanera
Victor Hugo - La Nena
Victor Hugo - Salsa Donde Estabas
Victor Hugo - Si Tu Me Quieres
Victor Hugo - Viva La Salsa
Victor Manuelle - Mi Salsa
Victor Manuelle Featuring Hector El Father, Yomo, Mickey Y La Secta Allstars - Vamos De Nuevo
Victor Romero Y Hibiscus Latin Swing - La Salsa Que Suena Buena
Thank you! (((hugs))) It’s gonna be good!
Congratulations! I want to retire! End of active service!
Get up when ya wanna eat breakys and carp about the news papers
Thats my goal, Mmm Hmm and pinching lady’s bottoms]
Lee was the lead vocalist for Bunny Berigan’s band. This is from 1940 and gives you an sense of late Thirties jazz.
4 more years God willing and i’m gonna set that glide path, gonna pet dogs and talk nonsense
This is from Bobby’s 1958 disk for Ahmet Ertegun’s Atlantic label. Ertegun preferred to work with R&B, but recording Bobby was a stroke of genius. He was the best piano bar jazz singer in New York. He sings the complete intro that Cole wrote for the tune.
I look forward to you getting to do that. I feel at peace with my decision and even I’m bored at home it’s better that being stressed at work. I’m done being bossed!
I abore being bossed but hate being bored LOL
This 1959 recording comes from the Frank DeVol era in Doris’ career. Assigned by Mitch Miller of Columbia Records, Frank was a prolific composer of movie soundtracks in the late Fifties and early Sixties, and a fine arranger. He also acted. In 1961's short-lived – now cult – TV series “I’m Dickens, He’s Fenster” on ABC, Frank played Mr. Bannister, the building contractor who never cracked a smile no matter how hilarious his lines.
Doris never got the credit she deserved for being a song stylist. She had a wonderful voice and could do many of the things that Frank and Ella could do with a song. She sounds better than ever in this number.
Thanks for volunteering!
It started on Broadway as the musical “Gay Divorce” in 1932 and featured the one song, “Night and Day,” that would survive in the 1934 movie. The show would be Fred Astaire’s last Broadway appearance, and it marked the only time that he didn’t dance with his sister Adele of the great vaudeville act.
After Fred appeared with Ginger Rogers in “Flying Down to Rio” in 1933, Pandro Berman of RKO conceived a series of movie musicals, each written by a composer of the Great American Songbook. This was the first of those efforts, and Berman went straight to Broadway and Cole Porter. The Hays Office, recently placed in charge of movie censorship, balked at the title because it implied backsliding that could lead to unmarried – or in this case, previously married – people having sex outside the scared institution of marriage. Berman changed the title to “The Gay Divorcee,” thus implying that only one partner might be tempted to backslide. The 1934 movie was nominated for Best Picture, Art Direction, Music Scoring and Sound recording.
This was to become the definitive song of the Great American Songbook. The clip uses the entire intro that Cole wrote. What Fred and Ginger do at the end of the song is one of the great seductive dances of American cinema. How much we’ve lost in 80 years!
GREAT piece of music!
This 1939 recording captures Lady Day in her early years backed by some the greatest jazz sidemen in the game.
Wait until you see some of the other versions of that song. The last one will be something of a shock.
It will be .:)Call me in 6 months-Heheheheh
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