FReeper Canteen - Tunes For Our Troops - 25 April 2015

Our Troops Rock!!!!!!!!!! | The Canteen DJ's

[AZamericonnie]

 
 

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Tunes For The Troops

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~ Support The Artists ~
 

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Warning: Not all the music you hear below will be appropriate for children! Please click with caution. Thank you!

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Tunes For The Troops
 

 


This music is provided for the entertainment of our Troops, Veterans, Allies & their families!

Enjoy the variety of musical selections that the Canteen Deejays provide throughout the thread. Please ping any DJ with your requests for the Troops!

All music is removed on Monday.
Thanks to all the DeeJay's for their time & effort providing entertainment for the Troops!

*Canteen Mission Statement*

Showing support and boosting the morale of
our military and our allies military
and the family members of the above.
Honoring those who have served before.
 

 A supergroup is a music group whose members are already successful as solo artists or as part of other groups or well known in other professions. Usually used in the context of rock and pop music, the term has been applied to other musical genres such as The Three Tenors in opera.

The term is sometimes applied retrospectively when several members from a group later achieve notable success in their own right. Supergroups are sometimes formed as side projects and thus not intended to be permanent, while other times can become the primary project of the members' careers. Charity supergroups, where prominent musicians perform or record together in support of a particular cause have been common since the 1980s.

Click the pics for music.

Bad English - Backlash
        John Waite (The Babys, solo), Neal Schon (Santana, Journey), Jonathan Cain (The Babys, Journey), Ricky Phillips (The Babys), Deen Castronovo (Wild Dogs, Tony MacAlpine, Cacophony)

Blue Murder - Blue Murder
        John Sykes (Tygers of Pan Tang, Thin Lizzy, Whitesnake), Ray Gillen (Black Sabbath, Phenomena), Tony Franklin (The Firm, Jimmy Page), Cozy Powell (The Jeff Beck Group, Rainbow, The Michael Schenker Group, Whitesnake, Emerson, Lake & Powell)

Mike & The Mechanics - The Road
        Mike Rutherford (Genesis), 1985–2004Paul Young (Sad Café), Paul Carrack (Ace, Squeeze, and Roxy Music), Adrian Lee, Peter Van Hooke

The Traveling Wilburys - The Collection
        George Harrison (The Beatles), Bob Dylan, Tom Petty (Tom Petty and the Heartbreakers), Jeff Lynne (Electric Light Orchestra, The Move), Roy Orbison

Tin Machine - Tin Machine I
        David Bowie (solo), Reeves Gabrels (solo, David Bowie, later The Cure), Tony Sales (Todd Rundgren, Iggy Pop, later solo), Hunt Sales (Todd Rundgren, Paris, Iggy Pop, Tender Fury), Eric Schermerhorn (Iggy Pop)

[Kathy in Alaska]

Good evening, spel, and thank you for the Friday Night Edition of the Salsa Addiction Emergency Room! ((HUGS))

[Publius]

WHEN SCHUBERT TOPPED BEETHOVEN

The second movement is a beautiful song, and Billy Joel reacted to it by turning it into a doo-wop tune, “Ths Night”. This movement is in ternary format (A-B-A), and the return of the first theme is in the rhythmic underlay of the middle section.

Beethoven: Piano Sonata in C minor, Op. 13, second movement

Schubert’s slow movement is in the same key as Beethoven, A-flat, and the theme at first has little resemblance to Beethoven’s. That haunting chord change at 1:00 becomes a major feature of the movement. But he turns to the minor with Beethoven’s harmonic underlay and rhythm to bring back the first theme. The contemplative A-flat section turns dark again with the minor key section stated fortissimo and then back to a rueful major. This movement is one of Schubert’s battles between light and darkness. The final statement of the A-flat theme is heartbreaking. Schubert was one of the few who could make major key tunes sadder than minor key tunes. Note the plagal cadence at the end, a kind of resigned “Amen.”

Schubert: Piano Sonata in C minor, D. 958, second movement

Beethoven did not write a scherzo in his Opus 13, so Schubert had to one-up the late composer and write a scherzo that makes clever use of silences, something other composers, such as Tchaikovsky, would emulate but never surpass. The first theme is derived from the finale of Beethoven’s Opus 13.

Schubert: Piano Sonata in C minor, D. 958, third movement

[Kathy in Alaska]

Good evening, Pro...((HUGS))...are you on the road now, or leaving in the morning?

Have a safe drive and enjoy your time with HilarywithoneL.

[luvie]

Looks a lot like my plans! :)

[luvie]

A LITTLE BIT COUNTRY....

Aaron Tippin~The Stars and Stripes and the Eagle Flies

If you would like to support the artists you hear in the Canteen,
please go to the top of the thread.

Please ping any DJ to any song requests
made on the thread. Thank you!

[Kathy in Alaska]

Hurrah for the “third time”.

Any dirt time scheduled?

[Kathy in Alaska]

I like the new paint job....cool plane....cool job!!

[luvie]

A LITTLE BIT COUNTRY....

Dolly Parton~I Will Always Love You

If you would like to support the artists you hear in the Canteen,
please go to the top of the thread.

Please ping any DJ to any song requests
made on the thread. Thank you!

[PROCON]

HI Ma, heading out in the morning to see my gal and spend some time at the gun range with her :-)
Then off to see sister and BIL for a few days.
What’s up with your weekend?

[luvie]

A LITTLE BIT COUNTRY....

Don Williams~Till The Rivers All Run Dry

If you would like to support the artists you hear in the Canteen,
please go to the top of the thread.

Please ping any DJ to any song requests
made on the thread. Thank you!

[PROCON]

Evening Luvvy DJ

Hope your weekend is grand!

Watch out for that 100.....

[Liberty Valance]

Greetings & Salutations!

Boz Scaggs - Last Tango on 16th Street - from " A Fool To Care"

[Kathy in Alaska]

Good evening, Publius, and thank you for the Chamber Music of Ludwig van Beethoven. ((HUGS))

[Publius]

WHEN SCHUBERT TOPPED BEETHOVEN

Beethoven’s finale is a straightforward rondo where the first subject returns and returns again.

Beethoven: Piano Sonata in C minor, Op. 13, third movement

Schubert one-ups Beethoven with a sonata-rondo movement. Frannie liked to use remote keys, and here there are two dips into B Major when he abruptly stops the action. On the surface this is a tarantella using Beethoven’s thematic material from his finale, but underneath the surface it’s a horseback ride to hell. Schubert was adept at musical descriptions of the various gaits of a horse, and this is a full tilt gallop. Note the chord change from the second movement showing up. Note the constant crossovers, which make this an extremely difficult piece. Some of the left-over-right crossovers use harmonies that would not be heard again until 70 years later with Debussy. At the end, there is a slide down the chute, and the gates of hell slam shut. Depending on how long the pianist holds the last chord, you can tell if the gates are made of wood or steel.

Schubert: Piano Sonata in C minor, D. 958, fourth movement

[luvie]

A LITTLE BIT COUNTRY....

Emmy Lou Harris~Do I Ever Cross Your Mind

If you would like to support the artists you hear in the Canteen,
please go to the top of the thread.

Please ping any DJ to any song requests
made on the thread. Thank you!

[Kathy in Alaska]

Sending out prayers for Arrowhead1952 as he recovers from his horrible fall.

My apologies for the late ping....

~ Tunes For Our Troops!! ~

FR CANTEEN MISSION STATEMENT

Showing support and boosting the morale of
our military and our allies’ military
and the family members of the above.
Honoring those who have served before.

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[Publius]

Just trying to bring a little beauty into people’s lives.

[PROCON]

Mine?

[PROCON]

Mine?

[PROCON]

Mine?