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Many years ago, Alan of antimullah.com was informed by a prominent Palestinian of the plan to march on Israel by emptying Palestinian camps in all Arab countries and helping them descend on Israel. Cannon fodder would be fine to describe these mobs.

He then wrote (and registered with the Writers Guild and copyrighted with the Library of congress) an action adventure screenplay that included this plan as part of the challenge a female black U.S. President had to face and handle through a secretive billionaire, self-appointed activist “hit-man” for the USA.

The story revolves around a naive young Kayla, who loses both her parents in a car accident involving the billionaire, who then trains her a “disposable” operative for his activities.

She inadvertently (yet plausibly) escapes his clutches but ends up marrying into the Italian Mafia and disappears from the billionaire’s ability to find her. At which ppoint he discovers he has fallen in lve with her.

Alan never got around to promoting the script, which currently needs some touch ups such as changes to Egypt which at that time did not provide the same easy access to these marches on Israel that exist today.

Since the march on Israel is an ongoing sub-plot, it invites a more diverse audience than pure Palestinian politics and a broader story line.

It would be a perfect “fiction” story for a presentation of the Israeli side of the conflict and an Israeli production company would have a money making and friendly political slant. And a well-worth, self-serving investment, financial or political.

American film makers may be fearful of attack by Islamists and shy away but though controversial, it would be a money maker and bring to light the other side of the Palestinian set of misinformation as it is based on historic and political FACTS. Which emerge as part of the story.

Alan moved away from Los Angeles and thus stopped pitching his half dozen screenplays but went on writing and polishing (and keeping up his Writers Guild registrations) till the Obama era diverted his focus to his current www.antimullah.com website efforts.

Anybody with current “bold” movie connections, specially Israeli ones (though they have had a reputation of “stealing” properties/scripts in the past) might be doing both Alan and them (and Israel politically) a favor by connecting them.

Most easily through alan@antimullah.com and as you know Alan is politically well informed.