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An Ancient Masterpiece or a Master's Forgery? (Did by Michelangelo Sculpt the Laocoön?)
New York Times ^ | April 18, 2005 | KATHRYN SHATTUCK

Posted on 04/19/2005 12:08:30 AM PDT by nickcarraway

click here to read article


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To: gobucks

Amen


41 posted on 05/15/2005 11:58:17 AM PDT by AntiBurr (Hillary: "The Female of the Species is more deadly than the male."--Kipling)
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To: gobucks
He was the one who coined the phrase "I fear the Greeks even bearing gifts."

Wasn't it Vergil, gobucks? I suppose Vergil filched it from somebody.

But I wonder, how far away is this attitude "Who cares?" from the attitude "Who knows?" at the end of this article? I know for a fact that this bit about science at the end of this article is the very conceit that caused Descartes to say he was done with the ancients.

42 posted on 05/15/2005 12:27:43 PM PDT by cornelis
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To: Polybius

Beware of geeks bearing gifts.
43 posted on 05/15/2005 12:31:18 PM PDT by cornelis
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To: nickcarraway
Sculpture original = 6 million dollars

Sculpture forged by Michaelangelo = 30 million dollars

44 posted on 05/15/2005 12:36:21 PM PDT by fish hawk (I am only one, but I am not the only one.)
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To: nickcarraway
but a new theory says it is a forgery

Yea right, it is her 'theory' and it gets her name in the news.

45 posted on 05/15/2005 12:58:16 PM PDT by Dustbunny (The only good terrorist is a dead terrorist)
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To: John Locke

Why do ou think it is a bad piece of sculpture? I think that it is incredibly beautiful -- full of action and strength and detail. The sons are proportionally small, but I suppose that was done to diminish their importance in the story (or because the original block of stone was too small.)

Now, why do you suppose Michaelangelo might have sculpted it and allowed people to think that it was by someone else? This thread offers several good reasons: a possible commission, etc. Or, my thought is that he may have been in the employ of a patron (like the Vatican) at the time and not allowed to work on anything for anybody else. Perhaps he was moonlighting! Or, perhaps his patron would take offense at him working on sculpture depicting mythological characters, rather than on the people populating the Bible; so he hid the origin of the scupture and got paid under the table.

In any case, this looks like an interesting theory, but I would have no way to judge its accuracy.


46 posted on 05/15/2005 1:18:51 PM PDT by afraidfortherepublic
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To: nickcarraway

Really dumb question: How did Michelangelo make money off the alleged forgery? Was he the purported discoverer? Was he commissioned for some sort of restoration, transport, and reassembly? Was he commissioned to authenticate? I fail to see how he could profit from buying the marble, spending time and effort to sculpt the work, hauling it off to a field, burying it, and allowing some farmer to "discover" it.


47 posted on 05/15/2005 2:09:19 PM PDT by night reader
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To: cornelis

"While “beware of Greeks bearing gifts” is the usual English phrasing, the original quotation from Virgil is quite different: “Whatever it is, I fear Greeks even when they bring gifts.” (Spoken by Laocoon, “Quidquid id est, timeo Danaos et dona ferentes.”) The popular English “beware” idiom shortens the original and gives the phrase a bit more punch."

So yep, Virgil is evidently the fellow to credit; kind of neat it was a Roman who looked back at a greek story and gave Laocoon that kind of limelight in the poem .... one wonders what Virgil thought about in his day to day dealings in Rome...


48 posted on 05/15/2005 2:59:50 PM PDT by gobucks (http://oncampus.richmond.edu/academics/classics/students/Ribeiro/Laocoon.htm)
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To: Polybius

You're surmising, not necessarily incorrectly. I was just curious if anyone knew what motive the researcher attributed to Da Vinci. It certainly seemed risky.


49 posted on 05/15/2005 5:44:57 PM PDT by Lonesome in Massachussets (What's 17% of 155 words?)
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To: Sam Cree

Please be so kind as to add me to your Ping List..

Thank You..


50 posted on 05/16/2005 5:21:22 AM PDT by Drammach (Freedom; not just a job, it's an adventure..)
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To: Lonesome in Massachussets
Those whom the Gods would destroy...

They first drive Mad?

51 posted on 05/16/2005 5:22:53 AM PDT by Drammach (Freedom; not just a job, it's an adventure..)
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To: fish hawk

Ah, an important truth of the Art Industry. The dollar value of a work depends more on the artist than the quality of the work.


52 posted on 05/16/2005 5:41:54 AM PDT by Fresh Wind
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To: AntiBurr
I do not intend this to be a personal attack, but I have noticed this attitude on Free Republic several times. I happen to live in a trailer park, and have visited the Louvre, the Metropolitan Museum of Art in NYC and quite a number of other art expos of various sorts. People live in trailer parks for numerous reasons and I had not thought that where one chose to live was a viable definition of a conservative. I consider this attitude on a par with W.J.B. Clinton's refrence to "big haired trailer park bimbos."

You must live in a trailer with marble flooring.

The original "who cares" response earned the harsh response I gave it. No apologies.

As a NYer I receive plenty of Freeper insults because of the city and state I live in, and our elected reresentatives. I don't let the small stuff upset me.

53 posted on 05/16/2005 5:58:44 AM PDT by finnman69 (cum puella incedit minore medio corpore sub quo manifestus globus, inflammare animos)
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To: night reader

He would need an accomplice, perhaps a respected dealer.


54 posted on 05/17/2005 12:55:57 AM PDT by Bellflower (A new day is Coming!)
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To: Drammach

I am traveling at the moment, but will put you on the art ping list when I get home in a couple days...meanwhile Republicanprofessor and Liz are doing the art pinging and will be glad to add you to your lists I think.

Sam


55 posted on 05/19/2005 5:57:14 PM PDT by Sam Cree (Democrats are herd animals)
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56 posted on 07/11/2008 7:10:38 PM PDT by SunkenCiv (https://secure.freerepublic.com/donate/_________________________Profile updated Friday, May 30, 2008)
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To: nickcarraway

Carving that thing would have been a major effort for Michelangelo, and to what end? How would he have profited?

Anyway, it doesn’t look like his work.


57 posted on 07/11/2008 7:38:24 PM PDT by Age of Reason
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