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1 posted on 12/05/2018 4:22:24 PM PST by vannrox
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To: vannrox

I thought it was because education back then focused a lot on Greek and Roman times.


2 posted on 12/05/2018 4:24:00 PM PST by \/\/ayne (I regret that I have but one subscription cancellation notice to give to my local newspaper.)
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To: vannrox

4 posted on 12/05/2018 4:30:24 PM PST by Baynative ("A man is not old until regrets take the place of dreams." - John Barrymore)
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To: vannrox; Gamecock; SaveFerris; FredZarguna; PROCON
Architecture was an uncertain profession in America’s early days, when all you needed to do to become an “architect” was hang out a sign calling yourself one


6 posted on 12/05/2018 4:34:17 PM PST by Larry Lucido
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To: vannrox

Greek Revival was the architectural fashion at the time when the vast majority of them were built, that’s why. Once established it then became “the look” and so has been replicated long after Greek Revival ceased being the architectural fashion of the time.


7 posted on 12/05/2018 4:34:28 PM PST by RegulatorCountry (F)
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To: vannrox
Because the Greeks created Western Civilization. And Ouzo. Both of which continue to nourish the world. Opah!


9 posted on 12/05/2018 4:38:03 PM PST by DoodleBob
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To: vannrox

In years past, buildings were architecturally interesting and beautiful, not steel and glass monoliths.


12 posted on 12/05/2018 4:39:54 PM PST by The_Media_never_lie ("The MSM is the enemy of the American people"...Democrat Pat Caddell)
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To: vannrox

I think the main reason is they simply look great.

Many think the Parthenon was the most beautiful building ever.


15 posted on 12/05/2018 4:53:40 PM PST by yarddog
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To: vannrox

Because people like the way it looks.


18 posted on 12/05/2018 5:01:59 PM PST by BenLurkin (The above is not a statement of fact. It is either satire or opinion. Or both.)
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To: vannrox

Legitimacy.


20 posted on 12/05/2018 5:18:16 PM PST by Caipirabob (Communists...Socialists...Fascists & AntiFa...Democrats...Traitors... Who can tell the difference?)
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To: vannrox
The Other Jefferson Davis

But Davis’s most lasting legacy as a nation-builder, both figuratively and literally, was as a prime mover in the mammoth project to expand the United States Capitol from a small, cramped, statehouse-like building with an attractive central rotunda into a sprawling, magisterial seat of government with separate, marble-faced wings for the Senate and House, and a soaring new dome made of cast iron. The U.S. Capitol, as we know it today, would never have existed without Jefferson Davis. In many ways, it is his building.

22 posted on 12/05/2018 5:37:58 PM PST by Pelham (Secure Voter ID. Mexico has it, because unlike us they take voting seriously)
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To: vannrox

If I ever became a President and I ended up accomplishing important things, I would want people to build a Greek temple because they last forever and that I was really important! Lincoln and Jefferson both got their Greek temples and they’re awesome!


23 posted on 12/05/2018 5:40:26 PM PST by MinorityRepublican
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To: vannrox

We are indebted to the Greeks, not the Roman’s, for what is great, judicious and “distinct” in arcitechteure....


24 posted on 12/05/2018 6:39:02 PM PST by Vendome (I've Gotta Be Me https://youtu.be/wH-pk2vZGw2M)
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To: vannrox
The Greco-Roman architectural style was highly adaptable, finding ready use in all manner of public, commercial, and private structures made from a wide range of materials, from lavish plantation manor houses and solid banks to simple shotgun cottages. The South especially embraced what is broadly known as the Federal style, and one can easily find prime examples from Virginia to Charleston to Tallahassee to New Orleans.

Although unknown at the time, the use of the classic Greek temple style for banks and Treasury buildings was historically apt in that the Parthenon and other Greek temples were originally used in part as municipal treasuries.

27 posted on 12/05/2018 6:55:52 PM PST by Rockingham
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To: vannrox
It’s easy to accept that American architects in the 18th and 19th centuries found the neo-classical style ideally suited for federal buildings because it reflected the liberating Greek and Roman virtues upon which our government was based and which the French Revolution championed. It’s harder to see why so many neo-classical federal buildings were built in the Roosevelt era to the point that they seem to float along both sides of Pennsylvania Avenue like a massive pack of icebergs. Instead of liberating, they are meant be oppressive.

Look at the gargantuan horses being restrained by muscular figures that cap the Eastern end of the Federal Trade Comission building — a choice neo-classical iceberg. They represent government control over the wild horses of unrestrained capitalism. What they actually and unintentionally reflect (aside from kitsch) is an oppressive government scaled up to up in the size of The Incredible Hulk. I think this is the key to understanding why the neo-classical style was so popular for federal buildings back then, its massive forms were intended to belittle and awe the individual and stress the strength of the state as a collective.

28 posted on 12/05/2018 7:57:31 PM PST by PUGACHEV
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To: vannrox
Obama's temple...


34 posted on 12/06/2018 5:14:26 AM PST by Fresh Wind (Trump: "In the meantime, I'm president and you're not!")
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To: vannrox

“Why Do So Many Public Buildings in the U.S. Look Like Greek Temples?”
Good sense and good taste ?


35 posted on 12/06/2018 5:19:43 AM PST by litehaus (A memory toooo long.............)
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To: vannrox

Greek = Stone = structural efficiency

There was no structural steel or concrete.

Greek and stone was the way to go for monumental buildings


36 posted on 12/06/2018 5:24:36 AM PST by bert ( (KE. N.P. N.C. +12) Invade Honduras. Provide a military government)
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To: vannrox

Read “The Fountainhead” - it explains why.


37 posted on 12/06/2018 5:26:46 AM PST by Mr. Jeeves ([CTRL]-[GALT]-[DELETE])
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To: vannrox
It's because the Greeks, and, later, the Romans understood scale and proportion, both of which they took from observations in nature. They believed the natural beauty found in nature could be transferred to architecture and other arts. They linked architecture, music, and math together (the number 3 was special to them as is odd number columns on a facade).

For example, properly designed columns don't have a consistent taper from their base to capital. They have a slight bulge roughly 1/3rd up from the base and then taper. If they didn't have this, columns would appear concave to the eye.

Everything they did was based on the diameter of the column. Even the height of the column is based upon its diameter. The diameter is then broken up into minutes and seconds and with these increments the base, capital, architrave, fascia, soffit, moldings, etc. are determined.

When Athens, Rome, etc. were being 'discovered' by the English and others, their architecture was brought to western Europe and later to America.

Architects like Inigo Jones and Christopher Wren, both English, and Charles Bulfinch and Asher Benjamin, both American, popularized the ancient designs. America was keen to adopt this architecture due to it being fashionable during America's birth with its foundation on ancient governments.

38 posted on 12/06/2018 5:49:41 AM PST by Lovely-Day-For-A-Guinness (Eenie meanie, chili beanie, the spirits are about to speak....)
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To: vannrox

The Greeks had learned the art of making eye pleasing design in their temples housing their idols. They apparently had learned to use such principles as the golden ratio. Since their architectural designs were pleasing to the human eye they were used by our early architects because they appreciated their design quality.
https://www.goldennumber.net/parthenon-phi-golden-ratio/


42 posted on 12/06/2018 11:36:03 PM PST by Bellflower (Who dares believe Jesus? He says absolutely amazing things, which few dare consider.)
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