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To: FrankR
I hear what you're saying, but I think to a large extent, it's always been that way. (And let me say it's one of my pet peeves when someone says "It's always been that way" to explain away some rampant moral failing we see in the world today.)

What I really mean is that "High Noon" with Gary Cooper had the message "A man's got to do what a man's got to do". And "Spartacus" had a message. And "The Wizard of Oz" had a message. And "Casablanca" had a message.

Yes, the movies were more artful, and the messages were much better. What we see now is just propaganda by anti-Western, anti-Christian, pro-Communist snobs. It's all gone downhill and I give Hollywood very little money because of it.

But once upon a time, the messages favored our side.

3 posted on 01/02/2009 8:33:15 AM PST by ClearCase_guy
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To: ClearCase_guy
Sorry...I meant a political message. Of course they've always implied moral messages - once upon a time the messages were actually based on morality.
5 posted on 01/02/2009 8:43:25 AM PST by FrankR (“Turtle up”, economically, for the duration of the 0bamanation.)
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To: ClearCase_guy
What I really mean is that "High Noon" with Gary Cooper had the message "A man's got to do what a man's got to do". And "Spartacus" had a message. And "The Wizard of Oz" had a message. And "Casablanca" had a message.

Yes, the movies were more artful, and the messages were much better

Or different. They used to be about individual integrity.

Gay rights, civil rights, global warming are causes about group belief.

8 posted on 01/02/2009 9:14:18 AM PST by Oztrich Boy ("The urge to save humanity is almost always a false face for the urge to rule." - H L Mencken.)
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To: ClearCase_guy
What I really mean is that "High Noon" with Gary Cooper had the message "A man's got to do what a man's got to do".

________________________________________________

The real (original) message of HIGH NOON cannot be understood without knowledge of both the political climate at the time and the writer's personal history. It is clear that Kane represented the writer who was 'targeted' by the HUAC (and blacklisted right after this film) and the towns folk hiding in the church represented the rank and file of Hollywood who, at that time, refused, out of perceived cowardice and self interest, to come to his aid.

It is only in more recent years that Kane's plight became identified as similar to America's go it alone foreign policy.

That my FRiend is irony writ large.

9 posted on 01/02/2009 9:26:20 AM PST by wtc911 ("How you gonna get back down that hill?")
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