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johnkerryisdangerousforamerica.blogspot.com

pro-islamofascist-terrorist radical chic
WHY JOHN KERRY IS DANGEROUS FOR AMERICA

by Mia T, 5.15.04

As long as you've got a rich man on your arm, you don't need a big bag.
--Elizabeth Rickard

The $100 billion Iraqi Oil for Food program was by far the largest relief operation in the history of the United Nations. By extension, it's rapidly becoming the U.N.'s largest-ever scandal....
Those included rewarding friends and allies world-wide with oil allocations on very favorable terms, as well as extracting large kickbacks from oil traders and suppliers of humanitarian goods....
There can be little doubt that U.N. mismanagement contributed greatly to the negative perception of the anti-Saddam containment policy. There is also little doubt that the reward and kickback scheme--as well the possibility of exposure--was a factor as some countries weighed whether to back U.S.-led regime change in Iraq. There is even reason to suspect that some of the Saddam friends and allies who benefited may have been members of the U.N. Secretariat.
Oil for Scandal
The Wall Street Journal Editorial Page
Thursday, March 18, 2004 12:01 a.m.

eave it to the French to make pro-islamofascist-terrorist radical chic all the rage.

They and their moneygrubbing, Oil-for-Food defrauding cohorts abroad, and their power-hungry would-be terrorist sympathizers here, are all sporting "THE LOOK."

(How many of those oh so trendy Kerry-clinton-Kennedy hate-America, blame-America-first sound bites will Al-Jazeera broadcast today?)

The trusty triad's half-truths, exaggerations and outright lies, confounded by fog of war, vagaries of peace and uncharted territory of asymmetric netherworlds, remind us that things are not always what they first seem. The UN Oil-for-Food scandal, for example, has shown us it was not "going to war with Iraq" that was "all about oil," but rather, "not going to war with Iraq." The Left, we now see, had that one, (as they have most things), exactly backward.

The dernier cri of seditious and corrupt Leftists everywhere, pro-islamofascist-terrorist radical chic renders the Left, irrespective of policy, no less dangerous to Western civilization than the terrorists they seek to aid and abet.

sanitizing evil
Kerry Cabal Censors Nick Berg Decapitation

WHY JOHN KERRY IS DANGEROUS FOR AMERICA

by Mia T, 5.18.04

As Riefenstahl told it, editing-to-perfection was crucial. She insisted that the finished quality of "Triumph of Will" came from her editing, not from any imposition of "posed shots" or choreography on her part. With her innovative editing techniques, Riefenstahl deliberately and selectively aestheticized Hitler and the Congress' proceedings. By editing out a shot of Hitler wiping his nose and including instead "more interesting expressions"-- by eliminating the human -- Riefenstahl eliminated the inhuman.

The only difference today, in this era of ubiquitous cameras, continuous news and the shameless auteur-tyrant, is that the Washington Press Corps, spun by and on the Hollywood-Arkansas Axis, edits out the clintons' inhumanity in real time. . .

Mia T,
Film Noir in the White House

anitizing evil. Al Qaeda beheaded Nick Berg and sent us a ready-for-primetime video of the butchering.

Why isn't 60 Minutes, John Kerry and his leftwing agitprop machine all over this one? I mean, the visuals and audio are powerful theatre and, after all, this one isn't "just about sex."

We can safely assume John Kerry and his leftwing cabal do, in fact, do "evil," given the immense fuss they're currently making over the Iraqi-terrorist/prisoner "abuse" thing.

To date, their acknowledgement of this grotesquely, tellingly subhuman act has been limited to one-sentence "just the facts, ma'am" reports and, when pressed, requisite if perfunctory poses of faux outrage.

John Kerry and his leftwing agitprop machine are ignoring the subhuman horror of Al Qaeda's beheading of Nick Berg... and perhaps more important, they are marginalizing its significance to our war against these animals. This act defines the enemy as precisely and vividly as the 9/11 attacks define them. This act serves to warn us as urgently as the 9/11 attacks warn us.

Sanitizing this evil is a dangerous, anachronistic leftwing conceit we can no longer afford...

It matters not one whit whether the sanitizing is done for political gain as is the case with Kerry (and with clinton before him)... or whether the sanitizing is done to satisfy some misguided, naive notion of journalistic "aesthetics," (whatever that is).

Either way, we lose.

Film Noir in the White House
by Mia T
"Read my future." - "You haven't got any."
---Exchange between Orson Welles and Marlene Dietrich, Touch of Evil

"All propaganda has to be popular and has to adapt its spiritual level to the perception of the least intelligent of those towards whom it intends to direct itself."
---Adolf Hitler, Mein Kampf

eni Riefenstahl, the film genius who outmaneuvered propaganda minister, Joseph Goebbels to chronicle Hitler's 1934 Nuremberg rallies in perhaps the most notorious documentary ever filmed, "Triumph of the Will," symbolizes the naïve actress and director who is induced to deal with devils -- i.e., Nazi-pantalooned v. nasty, pantless....

After the war, Riefenstahl excused her effort as pure documentary -- watch for Streisand, Spielberg, Geffen et al. to do the same one day -- yet she compiled one section, Hitler's motorcade to Munich, from several different events and shot the closeups of Nazi leaders at the podium in a staged studio sequence.

As Riefenstahl told it, editing-to-perfection was crucial. She insisted that the finished quality of "Triumph of Will" came from her editing, not from any imposition of "posed shots" or choreography on her part. With her innovative editing techniques, Riefenstahl deliberately and selectively aestheticized Hitler and the Congress' proceedings. By editing out a shot of Hitler wiping his nose and including instead "more interesting expressions -- by eliminating the human -- Riefenstahl eliminated the inhuman.