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I feel cheated, no dig? :^)

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A pencil is an implement for writing or drawing, constructed of a narrow, solid pigment core in a protective casing that prevents the core from being broken and/or marking the user’s hand.

Pencils create marks by physical abrasion, leaving a trail of solid core material that adheres to a sheet of paper or other surface. They are distinct from pens, which dispense liquid or gel ink onto the marked surface.

Most pencil cores are made of graphite powder mixed with a clay binder. Graphite pencils (traditionally known as ‘lead pencils’) produce grey or black marks that are easily erased, but otherwise resistant to moisture, most chemicals, ultraviolet radiation and natural aging. Other types of pencil cores, such as those of charcoal, are mainly used for drawing and sketching. Coloured pencils are sometimes used by teachers or editors to correct submitted texts, but are typically regarded as art supplies.

The most common pencil casing is thin wood, usually hexagonal in section but sometimes cylindrical or triangular, permanently bonded to the core. Casings may be of other materials, such as plastic or paper. To use the pencil, the casing must be carved or peeled off to expose the working end of the core as a sharp point. Mechanical pencils have more elaborate casings which are not bonded to the core; instead, they support separate, mobile pigment cores that can be extended or retracted through the casing’s tip as needed. These casings can be reloaded with new cores (usually graphite) as the previous ones are exhausted.

Pencil, from Old French pincel, from Latin penicillus a “little tail” (see penis; pincellus is Latin from the post-classical period[1]) originally referred to an artist’s fine brush of camel hair, also used for writing before modern lead or chalk pencils.

As a technique for drawing, the closest predecessor to the pencil was Silverpoint until in 1565 (some sources say as early as 1500), a large deposit of graphite was discovered on the approach to Grey Knotts from the hamlet of Seathwaite in Borrowdale parish, Cumbria, England. This particular deposit of graphite was extremely pure and solid, and it could easily be sawn into sticks. It remains the only large-scale deposit of graphite ever found in this solid form. Chemistry was in its infancy and the substance was thought to be a form of lead. Consequently, it was called plumbago (Latin for “lead ore”). Because the pencil core is still referred to as “lead”, or a “lead”, many people have the misconception that the graphite in the pencil is lead, and the black core of pencils is still referred to as lead, even though it never contained the element lead.

The value of graphite would soon be realised to be enormous, mainly because it could be used to line the moulds for cannonballs; the mines were taken over by the Crown and were guarded. When sufficient stores of graphite had been accumulated, the mines were flooded to prevent theft until more was required.

The usefulness of graphite for pencils was discovered as well, but graphite for pencils had to be smuggled. The news of the usefulness of these early pencils spread far and wide, attracting the attention of artists all over the known world.

Around 1560, an Italian couple named Simonio and Lyndiana Bernacotti made what are likely the first blueprints for the modern, wood-encased carpentry pencil. Their version was a flat, oval, more compact type of pencil. Their concept involved the hollowing out of a stick of juniper wood. Shortly thereafter, a superior technique was discovered: two wooden halves were carved, a graphite stick inserted, and the halves then glued together—essentially the same method in use to this day.

English and German pencils were not available to the French during the Napoleonic Wars; France, under naval blockade imposed by Great Britain, was unable to import the pure graphite sticks from the British Grey Knotts mines – the only known source in the world. France was also unable to import the inferior German graphite pencil substitute. It took the efforts of an officer in Napoleon’s army to change this. In 1795, Nicolas-Jacques Conté discovered a method of mixing powdered graphite with clay and forming the mixture into rods that were then fired in a kiln. By varying the ratio of graphite to clay, the hardness of the graphite rod could also be varied.

American colonists imported pencils from Europe until after the American Revolution. Benjamin Franklin advertised pencils for sale in his Pennsylvania Gazette in 1729, and George Washington used a three-inch pencil when he surveyed the Ohio Country in 1762.[29][better source needed] It is said[by whom?] that William Munroe, a cabinetmaker in Concord, Massachusetts, made the first American wood pencils in 1812. This was not the only pencil-making occurring in Concord. According to Henry Petroski, transcendentalist philosopher Henry David Thoreau discovered how to make a good pencil out of inferior graphite using clay as the binder; this invention was prompted by his father’s pencil factory in Concord, which employed graphite found in New Hampshire in 1821 by Charles Dunbar.

Munroe’s method of making pencils was painstakingly slow, and in the neighbouring town of Acton, a pencil mill owner named Ebenezer Wood set out to automate the process at his own pencil mill located at Nashoba Brook. He used the first circular saw in pencil production. He constructed the first of the hexagon- and octagon-shaped wooden casings. Ebenezer did not patent his invention and shared his techniques with anyone. One of those was Eberhard Faber of New York, who became the leader in pencil production.

Joseph Dixon, an inventor and entrepreneur involved with the Tantiusques granite mine in Sturbridge, Massachusetts, developed a means to mass-produce pencils. By 1870, The Joseph Dixon Crucible Company was the world’s largest dealer and consumer of graphite and later became the contemporary Dixon Ticonderoga pencil and art supplies company.

By the end of the 19th century, over 240,000 pencils were used each day in the US. The favoured timber for pencils was Red Cedar as it was aromatic and did not splinter when sharpened. In the early 20th century supplies of Red Cedar were dwindling so that pencil manufacturers were forced to recycle the wood from cedar fences and barns to maintain supply.

One effect of this was that “during World War II rotary pencil sharpeners were outlawed in Britain because they wasted so much scarce lead and wood, and pencils had to be sharpened in the more conservative manner – with knives.

On 30 March 1858, Hymen Lipman received the first patent for attaching an eraser to the end of a pencil. In 1862, Lipman sold his patent to Joseph Reckendorfer for $100,000, who went on to sue pencil manufacturer Faber-Castell for infringement. In 1875, the Supreme Court of the US ruled against Reckendorfer declaring the patent invalid.

Graphite pencils are made of a mixture of clay and graphite and their darkness varies from light grey to black: the more clay the harder the pencil. There is a wide range of grades available, mainly for artists who are interested in creating a full range of tones from light grey to black. Engineers prefer harder pencils which allow for a greater control in the shape of the lead.

Manufacturers distinguish their pencils by grading them, but there is no common standard.

Numbers as designation were first used by Conté and later by John Thoreau, father of Henry David Thoreau, in the 19th century. Although Conté/Thoreau’s equivalence table is widely accepted[citation needed], not all manufacturers follow it; for example, Faber-Castell uses a different equivalence table in its Grip 2001 pencils: 1 = 2B, 2 = B, 2½ = HB, 3 = H, 4 = 2H.

Notable pencil users:

Thomas Edison had his pencils specially made by Eagle Pencil. Each pencil was three inches long, was thicker than standard pencils and had softer graphite than was normally available.

Vladimir Nabokov rewrote everything he had ever published, usually several times, in pencil.

John Steinbeck was an obsessive pencil user and is said to have used as many as 60 a day. His novel East of Eden took more than 300 pencils to write.

Vincent van Gogh used only Faber pencils as they were “superior to Carpenters pencils, a capital black and most agreeable”.

Johnny Carson regularly played with pencils at his Tonight Show desk. These pencils were specially made with erasers at both ends to avoid on-set accidents.

Roald Dahl used only pencils with yellow casing to write his books. He had 6 sharpened pencils ready at the beginning of each day and only when all 6 pencils became unusable did he resharpen them.