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Witold Lutosławski: Concerto for Orchestra (1950/1954) Skrowaczewski
YouTube ^ | 26 November 1954 | Composer: Witold Lutosławski (1913-1994

Posted on 02/03/2016 8:00:51 PM PST by WhiskeyX

Witold Lutosławski (1913-1994): Concerto for Orchestra (1950/1954)

I. Intrada, Allegro maestoso

II. Capriccio, Notturno e Arioso [07:40]

III. Passacaglia, Toccata e Corale [13:24]

Deutsche Radio-Philharmonie Saarbrücken Kaiserslautern diretta da Stanisław Skrowaczewski.

Cover image: Texture.

(Excerpt) Read more at youtube.com ...


TOPICS: Music/Entertainment
KEYWORDS: classical; music; neobaroque
Witold Lutosławski

From Wikipedia, the free encyclopedia

Witold Roman Lutosławski (Polish: [ˈvitɔld lutɔsˈwafski]; 25 January 1913 – 7 February 1994) was a Polish composer and orchestral conductor. He was one of the major European composers of the 20th century, and one of the preeminent Polish musicians during his last three decades. He earned many international awards and prizes. His compositions (of which he was a notable conductor) include four symphonies, a Concerto for Orchestra, a string quartet, instrumental works, concertos, and orchestral song cycles.

During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music. His style demonstrates a wide range of rich atmospheric textures. He began developing his own characteristic composition techniques in the late 1950s. His music from this period onwards incorporates his own methods of building harmonies from small groups of musical intervals. It also uses aleatoric processes, in which the rhythmic coordination of parts is subject to an element of chance.

During World War II, after escaping German capture, Lutosławski made a living by playing the piano in Warsaw bars. After the war, Stalinist authorities banned his First Symphony for being "formalist"—allegedly accessible only to an elite. Lutosławski believed such anti-formalism was an unjustified retrograde step, and he resolutely strove to maintain his artistic integrity. In the 1980s, Lutosławski gave artistic support to the Solidarity movement. Near the end of his life, he was awarded the Order of the White Eagle, Poland's highest honour.

[....]

https://en.wikipedia.org/wiki/Witold_Lutos%C5%82awski

Concerto for Orchestra (Lutosławski)

From Wikipedia, the free encyclopedia

Polish composer Witold Lutosławski's Concerto for Orchestra was written in the years 1950–54, on the initiative of the artistic director of the Warsaw Philharmonic, Witold Rowicki, to whom it is dedicated. It is written in three movements, lasts about 30 minutes, and constitutes the last stage and a crowning achievement of the folkloristic style in Lutosławski's work.[1] That style, inspired by the music of the Kurpie region, went back in him to the pre-1939 years. Having written a series of small folkoristic pieces for various instruments and their combinations (piano, clarinet with piano, chamber ensemble, orchestra, human voice with orchestra), Lutosławski decided to use his experience of stylisation of Polish folklore in a bigger work. However, the Concerto for Orchestra differs from Lutosławski's earlier folkloristic pieces not only in that it is more extended, but also that what is retained from folklore is only melodic themes. The composer moulds them into a different reality, lending them new harmony, adding atonal counterpoints, turning them into neo-baroque forms.

[....]

https://en.wikipedia.org/wiki/Concerto_for_Orchestra_(Lutos%C5%82awski)

1 posted on 02/03/2016 8:00:51 PM PST by WhiskeyX
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To: Squawk 8888; Roses0508; Paisan; Conan the Librarian; Chainmail; AndyJackson; JDoutrider; ...

ping


2 posted on 02/03/2016 8:02:17 PM PST by WhiskeyX
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To: WhiskeyX

Thank you for sharing this.


3 posted on 02/03/2016 9:17:30 PM PST by Army Air Corps (Four Fried Chickens and a Coke)
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