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Now I know how Shostakovich felt
Big Ed ^ | 6/11/20 | BigEdLB

Posted on 06/10/2020 6:20:01 PM PDT by BigEdLB

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To: BigEdLB
Ever read Solomon Volkov's Testimony: the Memoirs of Dmitri Shostkovich?
41 posted on 06/11/2020 9:38:10 AM PDT by decal (I'm not rude, I don't suffer fools is all.)
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To: decal

Yes fascinating. I referenced “Learners Manual“. Ever hear it?


42 posted on 06/11/2020 10:30:19 AM PDT by BigEdLB (BigEdLB, Russian BOT, At your service)
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To: BigEdLB
No - only know it from the oblique reference in Testimony. It was apparently written in 1948, right after the Zhdanov Decree - no wonder it was never published in his lifetime.
43 posted on 06/11/2020 11:33:38 AM PDT by decal (I'm not rude, I don't suffer fools is all.)
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To: BigEdLB; Nothingburger

His Second Waltz alone is evidence of genius.


44 posted on 06/11/2020 4:09:47 PM PDT by Jacquerie (ArticleVBlog.com)
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To: Jacquerie

It’s interesting you mentioned that waltz.

I often wonder how Shostakovich’s art would have matured had he been fortunate enough to defect to the West.

We usually associate Shostakovich with intense music like his 15 string quartets, reflecting the anguish he experienced practicing his art while staying one step ahead of the Soviet secret police.

But the waltz you mentioned and other pieces like the Festival Overture — a great favorite of mine — show that Shostakovich could compose in a variety of styles.

You know the legend about the “Tahiti Trot,” the master’s superb arrangement of Vincent Youman’s “Tea for Two.” Supposedly, Shostakovich knocked it out in less than an hour on a friendly dare. Whether he pocketed a few rubles from the deal, I don’t know.

Perhaps if Shostakovich had defected he would have been a great success writing for the musical theater. He did score some Soviet movies, and did it quite well. But what a career Golden Age Hollywood might have given him — he could have given Max Steiner, Miklos Rosza, and Dmitri Tiomkin some serious competition.


45 posted on 06/11/2020 4:44:22 PM PDT by Nothingburger
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To: Nothingburger

Thanks for the background. All I recall was my losing my breath long ago when I first listened to #2.


46 posted on 06/11/2020 5:18:45 PM PDT by Jacquerie (ArticleVBlog.com)
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To: Jacquerie

It has been recorded, in both Russian and English. I wonder how Tikhon Khrennikov liked the taste of Stalin’s poop


47 posted on 06/11/2020 5:47:09 PM PDT by BigEdLB (BigEdLB, Russian BOT, At your service)
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To: BigEdLB

Used to listen to the Shostakovich 5th every night one summer. I still remember the white chiffon curtain still fluttering in the breeze from the open window, alternating with the light of the alley streetlight nearby sending approval through oak leaves rustling nearby. The bells at the end of one movement and the constant tones of violins, timpani and the rest of the brass and winds at the last finale spoke to the composer’s pain and sense of victory. It was a study in contrast: music, curtains, light, rustling leaves-creating a painting in the darkness of a summer night.

This was long ago now.

I’ve always wanted to conduct that symphony.


48 posted on 06/11/2020 6:02:29 PM PDT by combat_boots (God bless Israel and all who protect and defend her. Merry Christmas! In God We Trust!)
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To: outofsalt

Almost went to see that Buddha. I wanted to see where Merv had been.


49 posted on 06/11/2020 6:05:33 PM PDT by combat_boots (God bless Israel and all who protect and defend her. Merry Christmas! In God We Trust!)
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To: combat_boots

I’ll have to rewrite the post

But here’s #5

https://m.youtube.com/watch?v=Cog0I8cOZcA


50 posted on 06/11/2020 6:37:33 PM PDT by combat_boots (God bless Israel and all who protect and defend her. Merry Christmas! In God We Trust!)
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