Posted on 08/13/2019 5:48:30 AM PDT by Travis McGee
BKMRK
EXACTLY what every "progressive" seeks. This is their wet dream, their ultimate fantasy. This is what they REALLY want. NEVER let them deny it.
As David Horowitz says, "inside every progressive is a totalitarian screaming to get out."
I'll switch it a little to test the underlying logic:
"I HAVE created a profile because I DO think I'm beter than other people here."
Hmmm...the test realy makes the illogic jump out at me.
I don't dislike you but I'm somehow not getting what you meant to said. You don't have to justify yourself to me but...I don't get it.
Anyway, in full disclosure, I, too, have no profile after all these years.
A long time ago I heard a pithy observation, a really great point, made by a Jew:
"Hey, if 99% of muzzards aren't terrorists as we hear so often then WHERE are all the Moderate Muslim Marches..?"
The simple words hit like a ton of bricks dropped from a high place, and here is my variation on them:
"If Jews present disproportionately in some matter, say porn or hatred of Western Civ, then WHERE are all the good Jews decrying that state of affairs..?"
Excellent as always. I am convinced that the leftist leadership in this country fully intend genocide. And yes, I include Nancy Pelosi, and Chuck Schumer, and Ilhan Omar, and Ocasio-Cortez, and the 0bamas, among others as those intending genocide. You and I and people like us are their targets.
It’s the early 1930s, and we’re The Jews.
Read the article and get back to me.
Read the article and get back to me.
The Movie has a typical revenge theme. There have been a myriad of Movies made using the same Plot device.
The Bad Guys Hunt the Good Guys and the Good Guys win in the end. People hate it when the Bad guy triumphs at the end.
We have been conditioned to believe that more Americans think that WE are now the Bad Guys and the crazy Leftists are the Good Guys. That is why we are having such a visceral reaction to this silly Movie IMHO.
Studios have been know to reshoot final scenes of Movies because the Audience felt disappointed when the perceived Evil person wins.
There are exceptions, Silence of the Lambs comes to mind. Anthony Hopkins made a Serial Killer seem like a sympathetic Character.
The idea that the Movie will not be released (for now) because of the actions of a couple of crazed Lunatics is ridiculous.
It is as ridiculous as Politicians “negotiating’ away the Constitutional Rights of the American People because of the actions of those same crazed Lunatics.
Are we now denying the hatred that already exists, Movie or no Movie, coming from the Left towards anyone who supports the current POTUS? I’m not.
It’s called posting crap with prejudice and nasty, low mentality editorializing.
In ye olde tymes, the Golden Age of Porn, according to E. Michael Jones (" Culture Wars") ʻthe leading male performers through the 1980s came from secular Jewish upbringings and the females from Roman Catholic day schoolsʼ. The standard porn scenario became as a result a Jewish fantasy of schtupping the Catholic shiksa.
To rplace yours, we'll headline this
I hear a downturn is imminent as they're having hard time competing with the homemade stuff.
If you can get free streaming from teenagers, why mess with Epstein and a credit card?
(Pause for regurgitation.)
There's facts for you, Sgt Friday.
Yeah, that’s Normie all right.
I wrote about the demonization to genocide pattern in “Dear Mr. Security Agent” back in 2013.
Scroll down to #8, The Scapegoat Express
https://westernrifleshooters.wordpress.com/2013/01/07/bracken-dear-mr-security-agent/
8. The Scapegoat Express
Scapegoating an unpopular group is standard operating procedure for budding socialist dictators wrecking once-free economies. For the Soviets, it was the Kulaks; for the Chinese it was the so-called “landlords.” I could list more recent cases to include Cambodia, Uganda, Guatemala, Rwanda and others. Once disarmed and helpless to resist, the hated national scapegoats are slaughtered by the millions.
Probably few Turks, Germans or Russians gave a thought to the ultimate aim of their new gun registration laws, passed quite plausibly in the name of public safety. But national gun registration is a slow-acting poison, sweet and easy to swallow, but potentially becoming deadly only years later, when a tyrant takes the reins of power and inevitably sends for the list. He begins with his most dangerous enemies and works his way through the list, marching the helpless scapegoats into deserts or gas chambers or gulags after disarming them.
In America today, we are seeing the beginning of an insidious scapegoating process, with older conservative white Christian males designated as the national Lucifer du jour, fair game for any vicious attack. Famous black movie stars joke about murdering white folks and white liberal media stars laugh along with them, conveying elite acceptance of the prevailing “evil whitey” meme.
It continues at the link.
https://westernrifleshooters.wordpress.com/2013/01/07/bracken-dear-mr-security-agent/
Please see #71.
There is a difference: the consisten theme in Blum’s films that the evil white conservatives (especially heterosexual Christian men) are always the villains. In case you did not go to the American Partisan link and read it, I’ll bring the relevant paragraphs here for you, minus all the photos and embedded links.
- - - - - - - - - - -
Then a counter-narrative began to emerge. What if the liberal elites sipping champagne and nibbling caviar on their Gulfstream jet (along with their kidnapped victims drugged and unconscious in the back) were actually the villains, led by the evil character played by Hillary Swank? What if the deplorable conservatives, led by the character portrayed by Betty Gilpin, turned the tables and hunted their hunters? Would this legitimize the content of the film? After all, hasn’t Hollywood produced revenge-oriented action pictures for decades, such as the original Death Wish series, starring Charles Bronson?
To my way of thinking, no, not at all. In Death Wish, Bronson’s character Paul Kersey is an average city dweller whose wife and daughter are brutally attacked, raped and murdered (the daughter lives a while in a coma) by criminals in a home invasion. When the police can’t find the perps, Kersey eventually begins to roam the city streets in order to tempt criminal thugs into attacking him before shooting them in a vigilante form of self defense. Similarly, current hyper-violent films like the John Wick series target only confirmed gangsters and criminals. In no way do these films compare to The Hunt, which according to reports was initially titled Red State Vs. Blue State, with a clearly political basis accounting for the selection of the victims to be kidnapped, hunted and murdered.
But hasn’t the basic plot of The Hunt been used in movies many times, notably in various renditions of The Most Dangerous Game?
Again, the comparison falls short. In all versions of The Most Dangerous Game, victims such as hapless sailors were chosen at random by a wealthy psychopathic killer to be hunted and killed on his private island. In The Hunt, victims are chosen for their present-day political beliefs. In the highly charged political environment of 2019, turning the tables to make the hunted the hunters is merely a fig leaf to disguise and excuse the film’s dripping scorn and hatred for deplorable white conservatives.
But how can I make this claim, after watching only the trailer for The Hunt? Because the film’s producer, Jason Blum, has a long history of producing ultra-violent America-hating murder porn, most notably his “Purge” films, adapted both for the big screen and television.
The violent inclinations of his hard-left political beliefs are most clearly born out in his Purge series of films and television shows. In the Purge films, following an economic collapse “The New Founding Fathers of America” party (racist white conservatives) has come to power, and once a year they allow citizens to go on unchecked murder rampages where they mainly wipe out minorities. The films always struck me as uniformly moronic, so I didn’t pay much attention to the greater issues presented within them until now.
Basically, in the Purge films, conservative white Americans are portrayed as evil racist monsters who will murder minorities if given the opportunity to do so without suffering any consequences. These blood-soaked murder sprees are often musically accompanied by “America the Beautiful,” lest any of the dimmest viewers miss the point. And while there have been gory slasher and murder-porn films going back for decades, none have combined nihilistic hi-def graphic closeup murder sprees with pervasive anti-conservative, anti-white and anti-American themes like the films of Jason Blum. Scan this blog which blends a synopsis of The Purge: Election Year with images to take a stroll through the film.
Note the “Keep America Great” subtitle of The Purge: Election Year, a clear reference to President Trump. The three images on the left above were taken from a GIF embedded at the above “WTF: The Purge Election Year” link. (I added the text within the shotgun blast’s flash.) Many other still images and GIFs are there, and you might want to get a barf bag ready before you visit. But decrying the hyper violence within the Jason Blum Purge films is not the point of this essay, it’s his consistent anti-conservative, anti-white and anti-American themes that are deliberately and inextricably mingled with the racial hyper violence.
If there were ever films more deliberately designed to stoke racial animosity, it’s hard to imagine them. But being a murder pornographer has been very lucrative for Jason Blum, whose net worth is estimated at about 50 million dollars, including a 10 million dollar Brooklyn townhouse.
But while being a pornographer has always been lucrative, at least Hugh Hefner and Larry Flynt did not create their pornography out of close-up imagery of gory murder committed by evil racist conservative white American men against women and minorities for their own depraved pleasure. That new low–politically-motivated racist murder porn–was left to be plumbed by Jason Blum, Hollywood’s most vile anti-American murder pornographer. But he’s rich and he’s famous, he even made the Time Magazine list of the 100 most influential Americans! So who cares if he’s priming the mental fuses of the next unhinged San Antonio or Dayton mass shooters? Come on, kids, let’s break a hundred on the next rampage! You can do it! And Blum will predictably blame it on America and evil white conservatives.
We’re constantly told by leftist politicians, media and “entertainment” (sic) figures that the solution to America’s mass shootings is the elimination of the hundreds of millions of firearms already in private hands. But semi-automatic magazine-fed rifles (and pistols, revolvers and shotguns) have been available for over a century, while mass shootings are a modern phenomenon. The guns didn’t change, society did. And we can thank greedy murder pornographers like Jason Blum for helping to feed the moral depravity and stoke the fires of political and racial hatred. So in that light, his currently delayed film The Hunt makes perfect sense. Who cares if you help to instigate a bloody second civil war, a dirty civil war that might lead to the deaths of millions of Americans, as long as you can make millions of dollars producing anti-American, anti-white and anti-conservative murder porn? Not murder pornographer Jason Blum. He’s laughing–at you– all the way to the bank.
In America today, we are seeing the beginning of an insidious scapegoating process
We're past the beginning, now. The constant ranting against "white privilege" and "white supremacy" … the open tarring of our President as a "racist" …
We have seen this before. It always ends badly.
The Left thinks they can win with their old Bolshevik and Alinsky textbooks.
They don’t understand what it means to have 400 million firearms out in private hands.
They are sowing the wind, they will reap the whirlwind.
Again, read the article and get back to me. Rather than personally attacking me, educate yourself please. Read it.
Why is it I can immediately tell whether someone has read the article or not. Read it and get back to me.
You are correct.
Everything is pornified now.
I could give you examples, but you already know . :o(
>>>Who cares if you help to instigate a bloody second civil war, a dirty civil war that might lead to the deaths of millions of Americans, as long as you can make millions of dollars producing anti-American, anti-white and anti-conservative murder porn? Not murder pornographer Jason Blum. He’s laughing–at you– all the way to the bank<<<
Releasing this Movie will instigate a bloody civil war? Wow, we as a Society are dumber that I thought we were.
Perhaps if the Roles were reversed and the Hunters were Conservatives the writer of this piece would have come to a different conclusion.
When the Liberal Hunted turn the tables and kill the Conservative Hunters the Left would feel emboldened, right after they failed to get the Film suppressed in the first place.
Of course, they would have gotten it suppressed. They have a Free Speech for me but not for Thee problem. I thought we as Conservatives had no such belief.
Censorship is a two way street. That is what this whole argument is about.
These Movie Producers are like Carnival Barkers. They give the masses what they crave. If the masses don’t show up, they lose money.
This Movie isn’t shown for free on the only Government Run TV Channel allowed to be broadcast since this America and not North Korea.
People will either pay to see it or they won’t. If they choose to pay their hard earned money to be entertained by this crap, they are probably the same people that made the Purge, Saw and Hostel Movies profitable. Same old same old.
Banning this silly Movie is making it much more Popular than it would have been otherwise. People crave what they are forbidden to have. You know, like Freedom.
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