Posted on 08/14/2014 11:40:48 PM PDT by right-wing agnostic
A photograph is never sufficiently proportional to truth. The truth the full story, the context of things is too large and complicated to be encompassed by any single image. So from Ferguson, Mo., where daily protests have erupted after Saturdays police shooting of an unarmed African American teenager, we get only photographic data points.
A man lights a rag in a bottle and prepares to throw a Molotov cocktail; militarized police sit atop armored vehicles, guns drawn and aimed at protestors who have their hands raised. Both are volatile images, and both confirm aspects of the truth: There are provocateurs among the mostly peaceful protestors, and the police have adopted a terrifyingly aggressive posture in relation to the citizens they supposedly serve.
But these images arent coming from Egypt or the Gaza Strip or Ukraine. These are our own, homegrown documents of social unrest and they cant, like images from more distant lands, be kept safely at bay.
The manipulation of photography has become so complex and widespread that images from conflict zones often tend to cancel each other out. Propaganda has trickled down from the state to the D.I.Y. level, and its hard to tell the difference between the two.
The resulting frustration, our inability to be certain of the authenticity of the image and the accuracy of the caption, is in many ways a relief: If we cant be sure whether the bloodied corpse of a dead child was the result of a bomb from Hamas, or the Israeli army, we push it aside, grateful not to have to take a moral position on the conflict. The self-canceling nature of images releases us from the responsibility to think things through.
(Excerpt) Read more at washingtonpost.com ...
Events like this help to reinforce the image that the only difference between Blacks and Whites is the color of their skin.
Look at how much of Albuquerque NM was left after the massive riots and looting over the shooting of a homeless man there.
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