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To: Mad Dawgg; mylife
Since Phil Keaggy was mentioned on this thread, I will yield. Here is Phil on a $99 (yes, less than a hundred bucks) guitar, playing March of the Clouds: March of the Clouds

(Yikes! but he's good.)

Cheers!

25 posted on 11/19/2013 10:00:31 PM PST by grey_whiskers (The opinions are solely those of the author and are subject to change without notice.)
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To: grey_whiskers

The man has a gift.


26 posted on 11/19/2013 10:13:17 PM PST by mylife (Ted Cruz understands the law, and he does not fear the unlawful.)
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To: grey_whiskers

I have never seen that clip before.

Cheers!


27 posted on 11/19/2013 10:17:42 PM PST by mylife (Ted Cruz understands the law, and he does not fear the unlawful.)
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To: grey_whiskers

BTW God Bless John Sffera, for making the first move to reunite Phil and Dan.


28 posted on 11/19/2013 10:23:57 PM PST by mylife (Ted Cruz understands the law, and he does not fear the unlawful.)
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To: grey_whiskers
One of my favorites from "stings attached" is actually a tune by Alan Shaklock
29 posted on 11/19/2013 10:30:12 PM PST by mylife (Ted Cruz understands the law, and he does not fear the unlawful.)
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To: grey_whiskers
One of my favorites from "stings attached" is actually a tune by Alan Shaklock

True Believers

30 posted on 11/19/2013 10:30:33 PM PST by mylife (Ted Cruz understands the law, and he does not fear the unlawful.)
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To: grey_whiskers
To be clear "the digital revolution" destroyed forever the death grip Big Media had on "quality music production".

What literally used to cost tens of millions of dollars in building a high quality studio in the 80s can now be had for under 5 thousand dollars. and that includes the cost of a stable high end computer and a pair of high quality studio monitors.

You can literally download for free a fully functional high end digital music production system that would make what the Beatles recorded on comparable to the difference between the first Wright Brothers plane and the Starship Enterprise.

Many bands now just build their own studios and lay down the tracks and then maybe they take the rough mix to a high end studio for final mixdown and mastering BUT, even those processes are becoming so easy due to new highly sophisticated digital software that can literally compensate for "room acoustics" and give you that "sweet sound" that used to be the purview of the wizards of the audio world the "mastering engineers"...

Can the pros in those big studios do it better?

Absolutely, in most cases.

But "better" used to be because they had a huge advantage in being able to use equipment only the elite in the recording world could get their hands on.

Now literally anyone can have the equipment on their computer and if you actually study the great albums and do some research you can get a sound so close that only a professional would know the difference.

The vast majority of music consumers (99.99%) would not be able to tell any difference at all.

34 posted on 11/19/2013 11:54:11 PM PST by Mad Dawgg (If you're going to deny my 1st Amendment rights then I must proceed to the 2nd one...)
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