"The White Savage Revisited: Rebel Fantasies of the Postbellum South on Free Republic".
When I saw the Lott interview on BET I just about puked.
Then, a couple of days later, I saw a "debate" between a black conservative and a black Leftist on Hannity and Colmes, and the black conservative plus Sean Hannity got their *sses kicked.
I don't know why it is, but the conservative punditry just FREEZES as soon as this subject comes up. They end up looking like fools, and the Lefties as smug "I told you so" superiors.
Why this is, I don't know. I like to think I could do better, but those who I presume are more accomplished than I with discourse and debate just fade away on the wind as soon as this topic comes up.
I'm certain The New York Times, in the interest of fairness, will soon publish a long review of Wilson's outrageously racist administration.
(/sarcasm)
We bring up Wilson's segregationist actions in our high school textbook at the Declaration Foundation. When I was researching the post Reconstruction period I was amazed to find out how bad Wilson had been, and angry that it had not been part of my education decades ago.
Again, thanks for the post.
Richard F.
In many ways Thurmond represented a continuation of Wilson and FDR. Strange as it may seem now, Thurmond, while definitely a segregationist, was regarded as a liberal when he first entered politics.
Griffith's notorious film portrays the overthrow of debasing black rule in the Reconstructionist South by the rise of the Ku Klux Klan. The film's black characters (most of them white actors in blackface) are either servile or savages; Klan members are represented as both heroic and romantic. The movie was based primarily on The Clansman, a novel written by Thomas Dixon in 1905. Not only was Dixon a personal friend of Wilson's, he had been pushing for a Wilson presidency for years, and Wilson regarded himself as being in Dixon's debt.
Wilson discharged that debt by helping Dixon and Griffith publicize their movie. He arranged for preview screenings for his cabinet, for Congress, and for the Supreme Court, and he gave Dixon and Griffith an endorsement they could exploit. "It is like writing history with lightning," Wilson said of this KKK celebration, "and my only regret is that it is all so terribly true." The first half of Wilson's endorsement is still affixed to prints of the film that are screened for film students studying Griffith's advances in editing.