Free Republic
Browse · Search
News/Activism
Topics · Post Article

To: Pharmboy; DPB101; I_Love_My_Husband; MEG33; aculeus; Bonaparte; aristeides; dix; Grampa Dave
"They were to be killed more quickly than planned," the playwright Arthur Miller wrote, "to avoid any shadow of bad taste."

Arthur Miller and Norman Mailer both attended this pro-Stalin pep rally:

A Conference in New York

In March 1949, New York's Waldorf-Astoria Hotel played host to one of the strangest gatherings in American history. Less than four years after Allied troops had liberated Hitler's concentration camps, 800 prominent literary and artistic figures congregated in the Waldorf to call for peace at any price with Stalin, whose own gulag had just been restocked with victims of his latest purge. Americans, including Lillian Hellman, Aaron Copland, Arthur Miller, and a young Norman Mailer, joined with European and Soviet delegates to repudiate "US warmongering." Russian composer Dmitri Shostakovich told the delegates that "a small clique of hatemongers" was preparing a global conflagration; he urged progressive artists to struggle against the new "Fascists'' who were seeking world domination. American panelists echoed the Russian composer's fear of a new conflict. Playwright Clifford Odets denounced the ``enemies of Man'' and claimed the United States had been agitated into ``a state of holy terror'' by fraudulent reports of Soviet aggression; composer Copland declared "the present policies of the American Government will lead inevitably into a third world war."

The Waldorf conference marked another step in the Communist Information Bureau's (Cominform) campaign to shape Western opinion. A series of Soviet-sponsored cultural conferences beginning in September 1948 called for world peace and denounced the policies of the Truman administration. The conference at the Waldorf-Astoria, however, was the first to convene in a Western country and, not coincidentally, was also the first to meet organized and articulate opposition.

The Cominform could hardly have picked a riskier place than New York City to stage a Stalinist peace conference. New York's large ethnic neighborhoods were filled with refugees from Communism, and its campuses and numerous cultural and political journals employed hundreds of politically left-leaning men and women who had fought in the ideological struggles over Stalinism that divided American labor unions, college faculties, and cultural organizations before World War II.

Stealing the Show

A handful of liberal and socialist writers, led by philosophy professor Sydney Hook, saw their chance to steal a little of the publicity expected for the Waldorf peace conference. A fierce ex-Communist himself, Hook was then teaching at New York University and editing a socialist magazine called The New Leader. Ten years earlier he and his mentor John Dewey had founded a controversial group called the Committee for Cultural Freedom, which attacked both Communism and Nazism. He now organized a similar committee to harass the peace conference in the Waldorf-Astoria.

To give her due credit Mary McCarthy also attended Sidney Hook's contra-conference.

53 posted on 06/15/2003 3:09:30 PM PDT by aculeus
[ Post Reply | Private Reply | To 38 | View Replies ]


To: aculeus; I_Love_My_Husband; MEG33
New York Times Sunday Magazine today:

Playing With History

A sympathetic interview with Jules Feiffer about his newest play which just opened at the Lincoln Center. His opus relates the trouble a family of dedicated communists had in Brooklyn during the McCarthy era. Some nice slaps at George W. Bush in the interview.

Anyone think it is worth posting, please do. My browser won't allow me to copy it.

56 posted on 06/15/2003 3:21:42 PM PDT by DPB101 ("Smearing good people like Alger Hiss and Lauchlin Currie is . . .unforgivable"---Eleanor Roosevelt)
[ Post Reply | Private Reply | To 53 | View Replies ]

Free Republic
Browse · Search
News/Activism
Topics · Post Article


FreeRepublic, LLC, PO BOX 9771, FRESNO, CA 93794
FreeRepublic.com is powered by software copyright 2000-2008 John Robinson