The Earth has reached a Tipper point...tipping point, mind you. Tipping! I always leave 20 percent, I know how hard working people have it these days...where was I, oh yes, the tipping point. And when it tips, it's not going to be pretty. We're talking entire oceans underwater, deserts hot and dry, polar caps covered with ice! And that's just the beginning. The Earth is in a climate cat..ass..trophy. I blame the Bush administration for drilling caribou up there in ANBAR...AKBAR...well that wildlife refuge up there, and it is reprehensible to drill caribou just so Republican fat cats and big oil can fill up their SUVs. I really won the popular vote in 2000. Did y'all know that? I'm technically the President! Yeah yeah, so where's my President hat? I'll tell you where my President hat is, it's in the environ...mentally friendly dry cleaners to be picked up in 2008! Yeeeauggghhh!
"Through his boorish, knee-jerk leftism, Ebert has become merely another Hollywood elitist thumbing his nose at America. Two thumbs down."
Source: Chris Reed Front Page Magazine http://www.frontpagemag.com/Articles/ReadArticle.asp?ID=9187
Roger Ebert: The Shrill Shill By Chris Reed FrontPageMagazine.com | August 1, 2003
The August issue of The Progressive is out, and, surprise, surprise: It features a TV star unloading on George W. Bush, craven Republicans and the evils of American capitalism in a way that makes Howard Dean seem downright restrained.
Ranting about how Bush stole the presidential election, is simultaneously a religious zealot and disrespectful to the Pope, and is both devious and a moron, the TV star cant understand why the rest of America doesnt agree with him.
I think a lot of working-class people dont understand their money is being stolen
[W]eve had a concerted policy of taking money away from the poor and giving it to the rich wholesale, and at the same time, we have the runaway corporations and the greed. I feel ordinary people really should be angry.
Martin Sheen? Michael Moriarty? Janeane Garofalo?
Nope. Its Roger Ebert, perhaps the best-known critic in the world, thanks to his durable weekly TV show and its thumbs-up, thumbs-down gimmick.
But Ebert has other personas besides the one hes cultivated on television for nearly 30 years. Theres the Roger Ebert whose lucid, middlebrow reviews for the Chicago Sun-Times have made him arguably Americas most influential print film journalist. Theres the Ebert who once moonlighted as a writer for exploitation-film specialist Russ Meyers, getting the script credit on Beyond the Valley of the Dolls.
And now, at age 60, theres the James Carville-style demonizer who thinks the right is always wrong, and inevitably has appalling motives to boot.
This Ebert came to the fore in the fall of 2000, with his over-the-top raves for The Contender, writer-director Rod Luries story about a female senator (played by Joan Allen) nominated to replace a dead vice president who nobly refuses to address Republican-spread rumors that she was involved in college orgies. Luries labored attempt to equate the treatment of his heroine under fire with the treatement received by Bill Clinton after he was caught using the Oval Office to receive oral sex from a doltish intern was widely panned except by Ebert. In his print review, after hamhanded shots at Republicans and Kenneth Star, Ebert called The Contender a four-star classic.
Its been all downhill since. The lowlights:
-- His vicious depiction (in a July 2001, Sun-Times general-news column) of presidential daughter Barbara Bush as an ignorant yob on the loose in London. Given her idiot father, Ebert reasoned, what could one expect?
-- His relentless championing of Bowling for Columbine, Michael Moores latest agitprop masquerading as a documentary.
-- His tirade about George W. Bushs alleged vicious insensitivity toward those on Texas Death Row in his print review this spring of The Life of David Gale, a melodrama about an anti-death-penalty crusader.
-- His likening of the Bill the Butcher character in Gangs of New York a cleaver-waving, mass-murdering thug to Katherine Harris. Eberts point, made on Ebert & Roeper: Both Bill the Butcher and Harris used whatever means possible to take and keep power. Even the Democratic National Committee comes up with more sophisticated insults disguised as insights.
Its worth comparing Eberts reflexive right-bashing with the approach of Pauline Kael, the legendary New Yorker writer who was considered the nations most influential film critic in her heyday. The contrast does not flatter her successor.
Kael was a Manhattan liberal. She liked the protest movies of left-wing European filmmakers like Costa-Gavras and famously decried Dirty Harry as a fascist entertainment.
But Kael also had little patience for stridency from the left. She denounced Oliver Stones films as bombastic and didactic. And Kael, remember, was the journalist who more than any other helped expose Michael Moore for the propagandist he remains. Her New Yorker piece on the gonzo demagoguery of Moores maiden documentary 1989s Roger & Me helped killed its chances at an Oscar.
Ebert, or at least his latest incarnation, is incapable of writing such a piece or any piece whose politics wouldnt be at home in Mother Jones. When it comes to American politics, you see, its the yobs vs. the smart guys. And if the smart guys smear or slander the yobs, well, so what? The yobs have it coming. Through his boorish, knee-jerk leftism, Ebert has become merely another Hollywood elitist thumbing his nose at America. Two thumbs down.
1 posted on 05/18/2004 6:45:22 AM PDT by KeyLargo
http://tinyurl.com/jcr5n