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Posted on 09/06/2013 6:01:07 PM PDT by AZamericonnie
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Congratulations, Guys!!
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Here is a list of the songs in the Jukebox:
Artist/s - Song Names:
Bobby Matos And John Santos - Cachao
Bobby Matos And John Santos - Caminando
Bobby Matos And John Santos - Entrada ( Agogo Y Agbe )
El All-Stars De La Rumba - Cuba - Espaa ( Versin Sobre Rumbas Flamencas )
El All-Stars De La Rumba - Sobre Una Tumba Una Rumba
Jack Costanzo - After Hours
Jack Costanzo - Birks Works
Jack Costanzo - Bongo Jam
Jimmy Le M Y La Clave De Londres - Calle Luna Calle Sol
Jimmy Le M Y La Clave De Londres - Descarga Dos Mil
Jimmy Le M Y La Clave De Londres - La Clave Tiene La Llave
Johnny Blas - Como Asi
Johnny Blas - Es La Verdad
Johnny Blas - Feels So Right
Snowboy - 42nd And Broadway
Snowboy - Barrago
Snowboy - Chango Moti Awa
(HUGS)
Good news. The proof for my and Billthedrill's book on Atlas Shrugged arrived today and it's almost perfect. We're one step closer to publication.
~ Tunes For Our Most Awesome Troops! ~
FR CANTEEN MISSION STATEMENT
Showing support and boosting the morale of
our military and our allies’ military
and the family members of the above.
Honoring those who have served before.
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The FR Canteen is Free Republic's longest running daily thread
specifically designed to provide entertainment and moral support for the military.
The doors have been open since Oct 7 2001,
the day of the start of the war in Afghanistan.
We are indebted to you for your sacrifices for our Freedom.
(MUMBLE MUMBLE BLUSH BLUSH)
The Chinese government recently announced that they have hired A, T & T to help them produce a workable telephone directory.
The Chinese had tried for years to produce a workable telephone directory but they were unsuccessful because there are so many Wings and Wongs in China.....
.....that they were afraid that someone might wing a wong number!
Good evening, Mac...*HUGS*...did you round out the week on a good note? Good commute?
More rain here, but in the last 15 minutes the sun has come out.
Sure....It’s a Knock Knock joke. You start it.
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 America demands Justice for the Fallen of Benghazi! |
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A very good evening to you Gram & thank you very much for the great tunes for our troops & vets....like YOU! *Hugs*
Chair dancing to the Jimmy Le M Y La Clave De Londres - Descarga Dos Mil as I type.
Hi Everybody!
((((HUGS))))
Hello Publius! (Is there a song that says that?)
:-)
You’re making me giggle.
Oh no...summer is over?
Kick back and enjoy a quiet evening.
LOL!
Good evening, Publius...((HUGS))...and thank you for Rachmaninov’s “The Star Spangled Banner”.
Next door in France, a military coup had ended the chaos, and people hoped that Napoleon Bonaparte would provide some stability. Little did they know!
In America, with George Washington’s death, the factions in the Cabinet and Congress waited a decent interval before forming political parties in gross opposition to Washington’s hopes. Jefferson’s new Republican Party showed its seams on regional issues and Hamilton’s new Federalist Party on ideological issues. The election of 1800 is described wonderfully in A Magnificent Catastrophe by Edward Larson, one of the great books about that period of American history.
Beethoven turned to a larger work after two smaller works and wrote in B-flat, a key that does not appear often in his output. The Piano Sonata in B-flat, Op. 22 is in the full four-movement format, something that Beethoven hadn’t used in a while. The first movement is marked allegro con brio, “quickly with enthusiasm”, one of Lou’s favorite markings, in 4/4 time. The first subject is lightning quick and leads via a C Major transition into the second subject in F Major. This is bravura Beethoven working a large scale.
At 2:07, the exposition repeats.
At 4:02, the development starts with the first subject in G minor broken up with arpeggios while pulling the second subject in E-flat via the left hand.
At 5:37, he recaps and maneuvers via an F minor transition to B-flat for the second subject. It’s a great finish.
The second movement is in E-flat marked adagio con molta espressione, “at rest with great expression”, in the unusual time signature of 9/8. Beethoven uses three groups of three 8th notes for his rhythmic pulse. His melody invokes suspensions at the end of each phrase. While maintaining the slow pulse, he creates the illusion of speed with 32nd notes in the right hand. After a B-flat cadence, he turns to G minor for a middle section that turns dark and cloudy. He returns quietly to the opening theme.
The minuet in B-flat and 3/4 has no tempo marking, so an allegretto pace is usually observed. The theme is utter simplicity with a bit of tonal ambiguity.
The middle section is not labeled “trio” but “minore”. The pace is usually accelerated to allegro in performance.
The opening repeats without repetition.
The finale is a rondo in B-flat marked allegretto in 2/4. This means we’re going to hear that opening theme a lot, and it sounds a bit like Mozart. By now you can figure out what a rondo is and how it plays out. The format here is A-B-A-C-A-B-A. The coda brings it up to a sweet but quick end.
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